This essay "The Dilemma of Contemporary Chinese-American Subculture" concerns the Chinese-American subculture. Admittedly, several members of this subculture situated themselves purposefully to work as diplomats to both the mainstream culture and their families. …
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Dancing to the tunes of Fred Astaire and Ginger Rogers, several Chinese American performers today displayed a thus far unfamiliar jazzier, a contemporary feature of Chinese America. A remarkable if a strange event in the Second World War period was the appearance of Chinese-American bars and nightclubs in urban quarters such as San Francisco. The Lion’s Den, Dragon’s Lair, Chinese Sky Room, Jade Palace, Chinese Village, and Twin Dragons were several of the nightclubs visited by both White and Chinese customers. The Forbidden City, located on 363 Sutter Street, is the most popular and oldest of these nightclubs. With fascinating all-Chinese performances, the nightclub began operating in 1938 and immediately became popular as one of the most desirous sites in San Francisco. According to Bloom, geographically situated on the boundary of Chinatown, Forbidden City took up a cultural space too, in the sense that it became a representation of the different weak, unclear, and complex connections and interactions between the Chinese-American subculture and the larger society during when American-born Chinese people had started to have more visibility in the view of the White people. Not like other Chinese Americans, who, although projecting themselves to be modern in their ways and attitudes, nevertheless followed devotedly cultural traditions and styles supposedly owned by traditional China, these Westernized performers did not relate in any way with traditional Chinese cultural and artistic practices.
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