Ironically, during this period, women were actively involved in fighting for their rights and most of them took positions that were naturally occupied by men. For instance, they joined the army and took up roles such as nurses which were mostly undertaken by the men (Dunne, 2006, p11). The Wonder Woman is also displayed as a female army soldier who works as a nurse. She is similarly presented as a strong combat who is able to handle the challenges in war environment (Dunne, 2006, p11). It can be deliberated that science fictional works such as the wonder women is progressive in the sense that it depicts that women are capable to embark on roles that are considered to be outlined for the male gender.
Easton and Schroeder (2008, p108) highlight that science fiction and social change are inherently connected. In most cases, super-humans are imagined to take heroic responsibilities that can ultimately result to the realization of a social revolution. For instance, in Blue Light (1998) the first science fiction written by Mosley, he portrays a utopia probability when a few human beings both male and female are endowed with special alien powers known as the blue light, they work together and destroy the Gray man, a supernatural being that distorts the community by consuming human blood.
(Hassler and Wilcox, 2008). It can be argued that from the feminist perspective, the concept of super humans is progressive in the sense that it shows that both men and women have special abilities to fight and bring change in society, as noted by the Blue Light (1998) series. A key social transformation proposed by the feminist perceptive is the elimination of male hegemony. Feminism has over the years demonstrated the underlying fact that male hegemony has been an exploitive system towards female gender (Krolokke, 2005, p15).
The use of super humans in science fiction openly discloses this fact. For instance, The Catwoman comic book and movies demonstrate that women with superior powers are used as tools to evade the oppressive patriarchal system (Leaker, 2007, p108). The Catwoman series produced in the 1960s portrayed the sexuality of the women as dangerous. The character takes advantage of her sexuality to reduce the male ability to be safe and then she attacks (Leaker, 2007, p108). It can be argued that disclosing this perspective is progressive in the sense that it supports the feminist perspective that male hegemony has been an exploitive system towards female gender, even in the use of science fiction works.
Women for many centuries have been perceived as powerless. In some societies for instance; women are not counted as part of the population, while in others they are categorized as special groups. This basically indicates the women are powerless. Hassler and Wilcox ( 2008, p 316) highlights that science fiction in Mosley’s words speaks more precisely to people who are dissatisfied with the manner in which things are, including those who feel powerless. The feminist ideology however, introduces the notion that women can be powerful, in the sense that they do not need to be constantly dependent on the men because they can be independent.
Science fiction works that highlight the concept of super-humans have represented the idea independence of women in a variety of ways. For instance, in superhero films developed in the 1930s such as; Superman, Clerk Kent the male character becomes superman where his role is always to save the female character Lois Lane a fellow reporter (Wandtke 2012, p9). On the basis of the feminist perspective, the Superman character denotes that women are powerless and they depend on me to ensure that they are safe.
It demonstrates how dependent women are on the men. On the other, other fictional works have demonstrated that women can independent and that they can protect themselves. A case is the Invisible Girl movie that was introduced in 1964 (Dunne, 2006, p11). The film presents a young, weak female character that constantly requires to be salvaged.
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