This research “The Society of Composers, Authors, and Music Publishers of Canada” aims to explore the flawlessness of the Canadian copyright laws that stipulate that the free previews comprise fair dealing for the intent of research…
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With the laws that govern intellectual property being clear on the legality of the limited access to copyrighted songs on the internet, the demand for royalty from the authors causes confusion on the extent of justified free access to such songs. The case between the two entities begs the question of where to draw the line between the freedom for information access and the copyright laws. This research aims to explore the flawlessness of the Canadian copyright laws that stipulate that the free previews comprise fair dealing with the intent of research.
Using both CCH v. Law Society of Upper Canada and Alberta (Education) v. Canadian Copyright Licensing Agency (Access Copyright), explore the validity of the Canadian copyright law regarding the use of reviews for the purposes of research
This investigation hinges upon methods and mechanisms that aim to uncover answers to the research questions. The selected methods of research emanating from the significant research needs. The sources that the research utilizes are also accessible and available for analysis. This study shall take into consideration some legal principles and beliefs as regarding the application of the copyright law and the right of access to information in Canada and the world through. The study will concentrate on the information that exists and the interrelation of different entities on the validity and significance of copyright laws in a society with special interest to Canada and focus on the Society of Composers, Authors, and Music Publishers of Canada v. Bell Canada scenario.
The research will use different methods of investigations namely, documentary sources, interviews and questionnaires.
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Being a specific type of professional academic music, program music can be considered as aimed to describe and highlight some particular event or phenomenon of reality.Very often a piece of program music can have the whole plot and the scheme of development of an inherent narrative in accordance with a general topic.
As musicians wanted to build a bridge between literature and music, this essay describes the "programme music", that is created out of various sounds from animals and nature like tweets, cuckoos, toots, shrieks, cries, horns blowing, hiccups, roars, rain pouring, wind blowing and the like are being used to form a story or a plot.
In America, the song tradition is fairly young in contrast to that of Europe's (The American Art Song n.d.). Early American music had a uniquely British and European heritage as many American musicians took their music education in Europe and adopted their musical traditions (Sherrane 2007).
This research should cover the entire period and should include the lives of the female authors from the course readings. The paper should show how their literary works reflected their own lives and the cultural context of the period. Consider the following questions:
In the second section of this essay, Antonio Vivaldi and his masterpiece titled: The Four Seasons will be explored. In the final section of this essay, the work of Jean Phillippe Rameau will be explored.
Tchaikovsky, who was born in 1840 in Russia (Kidder & Oppenheim 2008, p.3), has delivered a series of important pieces, such as ‘the symphony Romeo and Juliet and the ballet Nutcracker’ (Burt 2001, p.410). Tchaikovsky has written music pieces of different
To begin with, Baroque music depicts a time and an arrangement of styles of European established music which were in broad use between roughly 1600 and 1750. This period is said to start in music after the Renaissance and to be trailed by the Classical music time. During this period the modern orchestra idea was conceived, alongside opera form.
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