In the Art of War, one of the quotes by Sun Wu is: “For them to perceive the advantage of defeating the enemy, they must also have their rewards.” This quote can be interpreted to mean that whenever people are engaged in an activity, they have to be rewarded for their…
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I chose this quote because I understand the important role played by human labor in accomplishing any activity. This quote is relevant because people are the most important resource that any organization or company can have. Regardless of the nature of the organization or the type of activity being undertaken, the human resource is very important. Unfortunately, not all organizations or companies reward their people for the efforts they put in. This quote therefore helps us understand and appreciate the important role played by people in an organization or company.
In the workplace setting, this quote can cause the management to come up with reward programs for their employees. In order to get the best of employees, organizations need to reward them for the work performed. Through this quote, managers can be made to understand the importance of keeping a motivated workforce as a recipe for success. For example, a company may come up with a policy of taking its employees for holiday every month as an appreciation for their efforts. Regardless of the reward programs adopted, this quote can cause senior management to rethink of how it treats its
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Sun Tzu considered war a necessary evil that had to be avoided by all means possible. This is because he knew that the war could only bring economic losses not only to the involved parties but also to the neighboring economies. He, therefore, puts emphasis on military strategy that would ensure minimized losses.
Scipio Africanus gives us a few lessons on the endure nature of war. Scipio uses himself as an example to demonstrate that soldiers must trust their leader and must believe that he has a definite plan and a definite aim.
Great pictures in the chapter contain people at war, dead people, and blood on the ground together with children running in a particular direction escaping the terror of war. The arts represent experiences from war experience that is
“There is no instance of a country having benefited from prolonged warfare.” (Tzu, n.p.). Warfare is the last resort whenever other avenues of negotiation fail. Nevertheless, prolonged warfare exerts enormous strain on the parties involved. This is because war is costly.
After all, Machiavelli emphasized that civilian and military life is inseparable and thus understanding of one is vital for the survival of the other—“to esteem the modes and orders of military discipline... It is not difficult to persuade (people) to these ways, when one considers these at length and approaches them in the usual manner, for the truth will appear in such (examinations) that every common talent is capable of undertaking them” (Machiavelli, “The Art of War”).
The American presence had been brought about by the signing of Anpo between Japan and America after the end of the Second World War which was a treaty that allowed the presence of American troops in Japan. The Anpo was passed in secret to allow United States of America bases to be stationed in Japan and in exchange the United States would offer protection to the Japanese.
It is not right to shut our eyes and expect the enemy not to attack or if it does, we do not see or confront it. This lesson helps build strong morals and ethics in our personalities. This teaches us the importance of preparedness for the worst. This teaches us how dangerous it can be if we show recklessness, cowardice, temper, delicacy of honor, and over-solicitude during hard times that may come in our lives.
O divine art of subtly and secrecy! Through you we learn to be invisible, through you inaudible; and hence hold the enemy’s fate in our hands.1
In this short but incredibly important set of aphorisms, Sun Tzu
Although Europe had been the acknowledged center of modern art in the first half of the 20th century, most critics now agree that after World War II (1939-1945), the center tended to shift to the United States. In the 1920s and 1930s, many American artists-including Charles Demuth, Arthur Dove, Marsden Hartley, and John Marin-had tried to adopt elements of cubism or futurism into their works.