Nobody downloaded yet

Couturier Paul Poirets Fashion Illustration: Pochoir and Art Deco Fashion Plates - Term Paper Example

Comments (0)
Summary
The purpose of this paper is to investigate Paul Poiret’s revolutionizing the approach to fashion illustration. The couturier’s innovative use of the expensive stencil technique known as pochoir and its method of Art Deco exemplified by the fashion plates published in Gazette du Bon Ton is examined…
Download full paperFile format: .doc, available for editing
GRAB THE BEST PAPER94.5% of users find it useful
Couturier Paul Poirets Fashion Illustration: Pochoir and Art Deco Fashion Plates
Read TextPreview

Extract of sample "Couturier Paul Poirets Fashion Illustration: Pochoir and Art Deco Fashion Plates"

Download file to see previous pages “Dominating Paris couture from 1909 to 1914, Poiret revolutionized fashion with his designs for the ‘new woman’, ending wasp waists and constricting corsets” (Encyclopedia 2009, p.38809). Unlike other contemporary couturiers, Paul Poiret thrived on promoting his own career and advertising his achievements. Thus, “illustrations of Poiret’s gowns appeared in many fashion publications” (Cunningham 2003, p.216). In 1911, he created a new line of fragrances, cosmetics, and decorative products for the home; the first designer to branch off into other areas related to fashion. Poiret’s technique of illustrating his fashion plates was by getting his artists to stencil or pochoir his designs. This he further developed into an Art Deco form in which fashion garments were showcased as a part of the elite lifestyle, beauty, accessories, interior decoration or natural surroundings.

New fashion magazines such as the Gazette du Bon Ton which was published between 1912 to 1914, and again between 1920 and 1925 were devoted to Art Deco. The magazine regularly featured Poiret’s designs and had a wide reach among the public. “The exposure raised fashion illustration to an art form”, observes Cunningham (2003, p.216). After World War I, Poiret’s imaginative couture business had to be closed down because hs designs were no longer fashionable.

Paul Poiret was a well-known designer of the pre-World War I period, who created haute couture for the European upper classes and royalty. He replaced the constricting whalebone S-shaped corsets and multiple layers of underclothing of the previous era, with comfortable inner-wear. “Poiret preferred the soft cache-corset, a precursor of the brassiere; a wide stiff belt took the place of tight lacings” (Yaeger 2007, p.121).

Around 1910 Paul Poiret introduced the ‘hobble skirt’ with an easy fit around the hips tapering down to an ankle-hugging bottom (Fig.1). ...Download file to see next pagesRead More
Comments (0)
Click to create a comment or rate a document

CHECK THESE SAMPLES OF Couturier Paul Poirets Fashion Illustration: Pochoir and Art Deco Fashion Plates

Fashion Illustration: Art or Advertising

...have begun to imitate the appearances of the Gibson Girls (Whitaker, 2007, pp.114). With the emergence of fashion labels such as Coco Chanel, fashion illustrations have become more commercialized. It has then been used not only to depict the most popular fashion trends of the season but also advertise different clothing lines and product labels (Whitaker, 2007, pp.114). Illustrators have also employed different techniques borrowed from prevalent art movements such as nouveau art, art deco and cubism. More importantly, the changing social milieu of their time has had a significant impact...
37 Pages(9250 words)Dissertation

Art Deco

..., residences, utensils in public buildings, businesses, furniture, hotels, and significant pieces of decorative art. Africa’s most notable illustrations of Art Deco can be traced in Eritrea and have been in existence since the colonial period. A large number of buildings exist in the Eritrean capital, Asmara. Other forms of Art Deco can be found in Egypt, Morocco, Mozambique, and Angola. Art Deco still continues to influence artists and designers in the contemporary world. Works Cited Bayer, P. Art Deco Architecture Design, Decoration and Detail from the Twenties and...
4 Pages(1000 words)Essay

Art and Fashion

...? Art and Fashion The paper looks into how the elements of Surrealism and notions of femininity emerged significant in fashion designs by Elsa Schiaparelli in the 1920s and 1930s. The paper will discuss the features that were significant in works of Schiaparelli and the implications they had on her work. It is also necessary to look into other Surrealists that collaborated with Schiaparelli and the designs they discovered. The paper will also highlight one of Schiaparelli’s fashion design and its relevance in the fashion industry and the society at large. Art and Fashion Introduction Elsa Schiaparelli was a surrealist who...
4 Pages(1000 words)Essay

Fashion and Art

...and Fashion The connection between art and fashion gained exceptional closeness in the 1920s (Suoh, 2002).In order to gain ideas and encouragement, designers hooked up with artists. As a result of new developments in art such as Art Deco, Futurism, and Surrealism, art and clothing were blended into fashion. Original artistic designs were brought to clothing, mainly due to the influence of Futurism and Surrealism, and cooperation with innovative artists. Suoh points out that “the decorative accessories and textiles of Art Deco emerged from this rich collaboration, which...
9 Pages(2250 words)Essay

Art and Fashion

...in the century. Jewelry, make up and body arts as decoration also used artistic and cultural concepts to elaborate on the person's appearance. This paper discusses several creative designs of the influential Vivienne Westwood, associated with punk looks and fashion, and Jean Paul Gaultier, known to challenge cultural and gender boundaries when it came to fashion. Keywords: Culture, Designs, Art, Fashion, Music, Decorative, Jewelry, Metallic Chains, Hip Hop, Punk, Rock, Fabrics, Collection Introduction Art has evolved over the years to influence and spur old and new developments in the different industries. In the last...
9 Pages(2250 words)Essay

Art and fashion

...and it is possible to attach the object’s motion with the sculptural frame. Indeed the mysterious impression created by the mannequins unearths a secreted reality. A material form was successfully given to portray some hidden analogy as well as some unimaginable through the use of unique techniques. Mannequins represent more than their immediate data or appearance hence making them work as concretized metaphor. Capability of disintegrating mannequins into different parts is surrealist imagery which portrays the possibility of separating parts of the body without bleeding (Thesander 1997). Fashion and art was really unified during surrealism. Surrealism played a significant role in creating...
8 Pages(2000 words)Essay

Art and Fashion - Surrealism

.... Oxford: Berg, 2009. Koda, Harold, and Andrew Bolton. Schiaparelli & Prada: impossible conversations. New York: Metropolitan Museum of Art, 2012. Kritzman, Lawrence D.The Columbia history of twentieth-century French thought. New York: Columbia University Press, 2007. Lusty, Natalya. Surrealism, feminism, psychoanalysis. Aldershot, England: Ashgate, 2007. Martin, Rihard. Fashion and Surrealism. New York: Thames and Hudson, 1989. Parkins, Ilya. Poiret, Dior and Schiaparelli: fashion, femininity and modernity. London: Berg, 2012. Polan, Brenda, and Roger Tredre. The great fashion designers. Oxford: Berg Publishers, 2009. Rice, Robin. “Shocking! The...
8 Pages(2000 words)Essay

Art and Fashion

...as they had no base. Women dresses had tiny waist and magnificent busts that made them to retain their feminine and fashionable. Skirts had long hemlines and wide circular hats. This new look design attracted many clients and designers in and outside Europe. Mariano Fortuny, Coco Chanel, Yves Saint, Jean Paul Gaultier, Christian Dior, Pierre Cardin among many others are the individuals who contributed to the success of Paris fashion fame.10 Many art and design companies learnt that people are eager to use new and fashionable products. Dior’s design spread all over the world as many designers and manufacturers preferred it. During 1950s, Christian Dior...
7 Pages(1750 words)Essay

Gypsy Fashion Deco Co. The Global Expansion

...RESEARCH PAPER Page GYPSY Fashion Deco Co The Global Expansion Table of Contents (Please provide depending on the topics you may wantto include or delete. Thank you.) Background Gypsy Fashion Deco Company used to be a small home enterprise capitalizing on fashion credo "defy" and "deconstruct." The credo, as well as the products, caters to the young consumers aged 13 to 35 that adheres to "individualism" as a way of life, therefore, a way of wearing clothes. The clothes are sourced from branded, well-known and unknown designers and re-designed or deconstructed in a way that makes it stand-out as a definite "single" copy of the cloth. Most of the clients or consumers of these clothes are internet buyers, so, it is necessary... that an...
11 Pages(2750 words)Essay

Pop Art and Fashion

...is mainly perceived to be a commercial culture that is mass produced purposely for mass consumption. In fashion, an illustration of pop culture influence on individual’s lifestyle and looks is clear especially on several television shows that are stylish. Everyone will try to imitate the dress code of the main characters in the media. The culture of celebrities has in the past and still will have great influence in the contemporary society because of their constant presence on media. Celebrities in most cases are viewed to be role models hence, most individuals take time to study and copy most of them. Art has been very influential in the past years. Art is wide and...
18 Pages(4500 words)Essay
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.

Let us find you another Term Paper on topic Couturier Paul Poirets Fashion Illustration: Pochoir and Art Deco Fashion Plates for FREE!

Contact Us