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Contemporary British Drama - Essay Example

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Contemporary British drama can be characterized with strong and lengthy theatrical tradition which tries to reinforce and reflect the recent developments in modern British culture and society…
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Contemporary British Drama
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Contemporary British Drama

Download file to see previous pages... In terms of productivity and impact, we can say that since Shakespeare's time, no other historical period has produced more controversial, brilliant and self-reflected plays as the drama in the last century.

Changes in British society affected, influenced and are reflected in the tendencies in the theater. As intellectuals, playwrights react to the social changes, political and economic conditions, to internal governmental conflicts and depict them in their plays. In this paper, I will attempt to demonstrate that British identity seen through the eyes of contemporary drama has become unconventional. In the plays "Feel Good" by Alistair Beaton and "In - Yer - Face Theatre" by Alek Sierz Britishness is explored to its minute details in shocking and unexpected revelations. The idea about Britain and British identity that I found most significant and which is conveyed through the above plays is the total and absolute honesty, which at times borders with our own innermost moral principles. The other idea that strikes me is that even though, the plays that I choose are comedies, they dwell on current reality and biting social and political issues feed both the dramatist and audiences imagination.
The tendency of the British modern drama is to transform and modify essential theatrical elements like dialogue, set and characterization to extremes of parody, satire, exaggerations and deconstructions. Contemporary British drama is essential, because it is part of the cultural dialogue between intellectuals and the whole nation. Plays deliver ideas, not only about the British identity, but also about its self-presentation to the rest of the world. Modern, British playwrights investigate the subtle changes in the kingdom and its socio-political quests. The contemporary British drama is wittily celebrating the class changes and recent class identifications and the formation of a different elite class. The modern age gives the opportunity for playwrights to probe into the existential social anxieties and torment the British nation. The stage is like a mirror for the nation's identity and writers use their verbal and visual resources to describe what matters for their fellow-citizens.

Many of the dramatics that successfully presented their plays in the 1970s and 1980s, still continue to actively produce remarkable intellectual masterpieces. Alistair Beaton is Scottish journalist with left wing political convictions. In the last two decades besides his media presentations he succeeded as a very productive novelist and playwright. In his play "Feel Good" Beaton creates an unprecedented political farce. This play is a comic revenge on New Labour spin and the government's grimness. Alistair Beaton's play is about the clandestine panic that underlies Labour's preoccupation with spin. In short, it is about money, though behind the play lurks a deeper point that the author wants to make. Although, it was made to be a comedy, this play is best understood through its current political reality. This is something that Beaton was aiming for. The play is set in a seaside hotel on the eve ...Download file to see next pagesRead More
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