Van Gogh`s surrounding had a profound impact on his work. As he began to create his own artistic identity, he also began integrating his ideas with the ideas of the Impressionists. His canvas grew wider with time integrating daily subject matter. Van Gogh took his subjects from the city's cafés and boulevards, and the open countryside along the Seine River. We also see Van Gogh,s life history has always effected his painting. His emotional darkness made him draw his painting in the dark.
When his brother asked him to bring in light and color in his work he complied proving his love for his brother Theo. Theo too understood the need of the hour that was Impressionism. His paintings become brighter and his brushwork more broken over time. Van Gogh created the stippling technique of Neoimpressionism, also called Pointillism. He took interest in portraiture. He shot to fame when he painted 20 portraits in Paris. After arriving in Paris, Van Gagh realized that his dark-hued palette had become outdated.
He also painted studies of flowers, which according to Theo was a "finger exercises"-practice pieces in which he tried to "render intense color and not a gray harmony." As Van Gogh’s colors lightened his painting involved landscapes in vivid colors. Vincent regularly painted outdoors in Asnières, a village near Paris. He also painted the landscapes in Southern France.
Soon Van Gogh’s works started getting recognition. The progressive Belgian artists' group Les Vingt included six of his