We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Nobody downloaded yet

The History of Program Music and its Composers - Essay Example

Comments (0)
The researcher of this essaay discusses the Programme Music, as well as its History and Significant Composers, such as hungarian composer Franz Liszt, who actually coined the term “programme music” in the mid 19th century, a time when Romantic music was very pravalent…
Download full paper
The History of Program Music and its Composers
Read TextPreview

Extract of sample
The History of Program Music and its Composers

Download file to see previous pages... 3).
To further stress this point, the great Frederick Niecks, however, remarked that programme music has always been regarded controversially as its definition is vague and narrow (1). In this context, Niecks wrote (referring to musicians) in the preface of his book entitled Programme Music in the Last Four Centuries: A Contribution to the History of Musical Expression, that "they should embrace all possible kinds, degrees, and characters: the outward and the inward, the simple and the complex, the general and the particular, the lyrical, epic, dramatic, melodramatic, descriptive, symbolical, etc. They should embrace also music with the programme merely indicated by a title, and music the programme of which is unrevealed. The absence of programme and title does not prove the music to be absolute (iii)."
Despite having been the one to come up with the phrase "programme music", Frnza Liszt was not its inventor. Programme music has been in existence and practice ever since the 16th century, or probably even before then (Hoffman para. 3). To be able to trace its history, Frederick Niecks outlined six periods while citing the significant composers or musicians during its time.
The first period was during the 16th century, a time when allusions were usually made to descriptive vocal compositions that were often inadequate and incorrect (F. Niecks 7). During the second and third quarter of this century, the descriptive vocal pieces of Clement Jannequin emerged. These were La Guerre or La Bataille (War), La Chasse du Livre (The Chase), Le Chant des Oiseaux (the Imitation of Animal Voices), and L'Alouette (Bird Voices) (F. Niecks 7). Battle pieces became the primary favorite then.
The researcher of this essay states that since the ancient times, music has been used to mimic the sounds of life and nature, real or imagined. As musicians wanted to build a bridge between literature and music, various sounds from animals and nature like tweets, cuckoos, toots, shrieks, cries, horns blowing, hiccups, roars, rain pouring, wind blowing and the like are being used to form a coherent musical composition that conveys a story or a plot. This form of music has been existent since the ancient times, yet it was the Hungarian composer Franz Liszt who actually coined the term “programme music” in the mid 19th century, a time when Romantic music was very pravalent. For the purpose of discussion, programme music may be defined as instrumental music that attempts to convey a story or arouse mental images without the use of words. Liszt calls composers of programme music as “poetizing symphonsts”. Furthermore, he also strived to be able to distinguish the programme and its object. He claims that “the programme has no other object than to indicate preparatively the spiritual moments which impelled the composer to create his work, the thoughts which he endeavoured to incorporate in it. Given the examples of the composers and their works, that were mentioned in the essay, it is hence apparent how experimentation in the genre of programme music was important. It was indeed a risk for these composers to hence pattern the form of their composition to a certain programme they have pictured in their minds. ...Download file to see next pagesRead More
Comments (0)
Click to create a comment or rate a document
The Ongoing Evolution of Electronic Music and Its Impact on Music Culture and the Production and Performance of Music
Music offers eternal bliss, and the world revolves around it. Cell phones, elevators, shopping malls, not to mention some or the other tune one keeps humming always. There is music around us, be it in nature in the form of birds chirping, wind blowing, leaves rustling, brooks flowing, or manmade form the version which majority of people enjoy and cannot live without.
12 Pages(3000 words)Essay
Landmarks in Music
Four Seasons, as a whole, is often considered the boldest or bravest of program music from the Baroque era. Each concerto is comprised of three distinct movements; one middle movement in a slow tempo and too fast outer movements.
4 Pages(1000 words)Essay
Music under Stalin
Starting from the Russian Association of Proletarian Musicians (RAPM) which dominated the Russian musical scene in the late 1920s till the early 1930s, to the Shostakovich era, the Russian musical scene has been either in support or opposition to the government. The RAPM for example had a manifesto that was meant to reflect the psychology and the desires of the proletariats (Edmunds 2000, p.78). The RAPM until its disbandment also specialized in composing music that was conservative in nature and at times wrote instrumental music and performed mass songs.
4 Pages(1000 words)Essay
American Music Composers
In America, the song tradition is fairly young in contrast to that of Europe's (The American Art Song n.d.). Early American music had a uniquely British and European heritage as many American musicians took their music education in Europe and adopted their musical traditions (Sherrane 2007).
10 Pages(2500 words)Essay
Ninteenth Century Music
With the accompaniment of time and effort, gifted individuals were able to create music in a very creative way that attracted people to love and invest on it. On the other hand, part of a man's life is to continue working and living for the best every day and be prepared for every unexpected circumstance that comes each new day.
12 Pages(3000 words)Essay
Music During Renaissance And Reformation Periods
Gustave Reese (1959) states that in the mid-fifteenth century, England was one of the leading musical nations, owing largely to insular traits best exemplified in the music of Dunstable. Somewhat later, composers of English birth like Morton, were active in the music making of the Burgundian court.
3 Pages(750 words)Essay
Music Appreciation
The term “classical music” is a very broad one, referring to the mainstream music produced between the mid-16th century and the beginning of the 20th century: a time also known as the common practice period. But the term can be stretched back as far as the 8th century and as far forward to today.
9 Pages(2250 words)Essay
Discuss the nature-centered world of the romantic landscape painters in England, Germany, and America and their portrayals of the pastoral and the sublime. Also, discuss how music changed in the Romantic period in the works of such composers as Beethoven
They participate in the global world conservation discussions through their unspoken soliloquies. The sublime according to Kant is a presentation of the
2 Pages(500 words)Essay
The concept of church music has also changed. In the 18th century composers seek to reveal the complexity of human emotions. Some pieces of music appear which were composed under the influence of religious texts or stories but not
4 Pages(1000 words)Essay
Let us find you another Essay on topic The History of Program Music and its Composers for FREE!
Contact us:
Contact Us Now
FREE Mobile Apps:
  • About StudentShare
  • Testimonials
  • FAQ
  • Blog
  • Free Essays
  • New Essays
  • Essays
  • The Newest Essay Topics
  • Index samples by all dates
Join us:
Contact Us