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Pollok connected with the canvas in a form of expression that had not previously been seen before. His work was emotional, the painting on the canvas an infliction of his emotional self, much the same as is achieved by the solo artist, opera soprano singer, classical pianist, and all the other artists whose art bears the infliction of their emotional commitment and intensity.
For the art world, Pollock’s work was the introduction of new and innovative ideas into an environment where abstract had become the norm, and expressionism still in many ways resembled abstract. There was not a distinct enough approach between impressionism and abstraction to differentiate it until Pollock’s Convergence. Pollock ushered in what social scientists refer to as “cultural convergence (Jenkins 2006 viii).” That is when the new and old converge, transitioning to a new cultural direction (Jenkins 2006).
Convergence is about bridging the gap between the old and the new, transitioning to the new cultural direction, and building upon the old through new creative styles and expressions across the range of media and mediums (Jenkins 2006). As an artist, Pollock was the leading innovator in bridging the gap between the old and the new and expressing himself in a way that the art world had never before experienced self-expression. Pollock became the originator of adding and combining mediums, such as sand and glass, creating a new dimension to the texture of the drips, splashes, and tosses. The texture helps give each work a unique dimension of originality, deviating from traditional abstract, and creating new impressionism with depth, brightness, and havoc with a sense of control. Jackson’s convergence ushered in the era of convergence.