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Jackson Pollocks Convergence and Tate Modern - Essay Example

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The paper "Jackson Pollocks Convergence and Tate Modern" discusses that the rationale of the customers’ preference is difficult to evaluate. However, it can be stated that in the general context customers’ are mostly motivated by reviews and recognition by critics. …
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Jackson Pollocks Convergence and Tate Modern
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REPORT ON TATE MODERN a) Background Art knows no death, it is imperishable. The spices of nature are born only to die after a certain space of existence. Art continues indefinitely. Austin Dobson assessment of art is expressed in his saying that all passes. Art alone enduring stays to us. The bust outlasts the throne, the coin, Tiberius. Art is never demonstrative; it never catches attention with an exhibitionistic appeal. Tate Modern is the place where one can be enchanted. Tate was founded in 1807 by Sir Henry Tate and this the 200th anniversary year of the establishment. It can well be stated that this establishment has served the cause of art for two centuries and continues to work its meritorious repetition of exposure to budding and renounced artists alike. With the advent of technology it has entered the virtual world of internet and is working as a successful organization for the benefit of art and artists who are able to met their most potential buyers Rockefeller to Mittal who, consequently were the noted patron of the establishment. In general sense it could be stated that this establishment values customers who are educated and connoisseur of art. (Lamb, 2004) b) Artist and artwork Louis Lozowick, Duchamp, Jackson Pollock, Myron Krueger, Anja Kroencke and ceramic artists like Peter Voulkos, Paul Soldner, Robert Arneson, Viola Frey and Bennet Bean are the most popular artists at Tate Moder. Among these noted artists Anja Kroencke holds a favorite position as this magnificent illustrator renowned for her outstanding fashion illustrations or more better said lifestyle illustrations. Her contribution in her field is commendable and her work includes the most identifiable masterpieces of illustrations. Anja Kroencke is well known for her distinct haughty women characters. The body proportion, body movement, faces, hands and feet, poses of the characters and the backgrounds in her drawings reflect high class, high profile modern society. Her characters (mostly women) are elegant, stylish and fashion trendy as seen from her drawings. The sophistication and the elegance of her lines and the zing in her works of art have given Anja Kroencke a distinct and remarkable position in the field of illustration. Her drawings are incredibly pure, playing with measured degree of black & white and color producing visible contrasts between wide stretches of pure white and vast regions of velvety shadows. (King, 2006) It should be stated that Jackson Pollock's Convergence is one noted favorite in this context. The most important point to be noted in this respect is the amount of energy that is reflected within the parameter of this 95" x 155" inch canvas. (Samuel, 1999) To ascertain a piece of canvas to be judged as a work of art it is necessary to evoke a certain feeling within the viewers. There is no grammar involved in this part; no mathematics is needed; only the artistic sense is operational in this context from the part of the viewer. The interpretation may vary but the theme that evoked the interpretation of the viewer is all that is important to certify a painting as Art. In this context too Jackson Pollock's Convergence comes out with flying colors. (Mitra, 1985) American ceramic artist Bennett Bean lives and works in Blairstown, NJ. Bean is primarily a studio potter but is also an equally good sculptor and painter. His trademark creations include pale pit-fired pots and vessels such as bowls and teapots. Bean has confessed to having been influenced by a range of ceramic art including Japanese pottery, English pottery (such as those by Bernard Leach) Native and Modern American pottery (such as those by George Ohr). Bean is also in the habit of using other beautifying techniques such as gilding and glazing on his pots, only instead of serving as decorative measures these methods help Bean in creating the kind of space and surface he is known for. The patterns he uses comes from a collection he has built up over 20 years, many of them are influenced by the compositions of American Post-Painterly Abstractionist Larry Poons. Some of his famous collections include the Dolmen series, Wing Series, Doubles and Triples etc. It can be stated that the Wing Series is a special outburst of the artist's impression of the modern world with its lustful colors and semi- abstract shapes. One among these legends is Myron W. Krueger, an American computer artist who laid out early interactive works. At the same time he is as well regarded as to be one of the first generation virtual reality and augmented reality researchers. PSYCHIC SPACE was the subsequent accomplishment where no more than one person worked together in the setting. The floor, walls, and ceiling were enclosed with black polyethylene with a rear projected screen at one end and a phosphorescent coloring tinted wall on the reverse side. (Kar, 2005) MAZE, one of the connections in this arrangement, had a participant take the helm a maze projected on the screen by stirring around the room. A graphic used as a symbol of the participant and acted in response to his movement. Participants would almost immediately give themselves over to cheating to plot a course the maze but such transgressions were put together into the system and the first such contravention would result in the elastic stretching of a line. (Fletcher, 2005) c) Product The resent trend in art, as per Tate Modern, is mostly abstract and landscape. However, there is a wide range of forms and formulation that is valued by the customers. The choice of product starts from regular oil paintings to work on mixed medium and acrylic and ranges from sculpture to ceramics. d) Rationale The rationale of the customers' preference is difficult to evaluate. However, it can be stated that in general context the customers' are mostly motivated by reviews and recognitions by critics. But there are customers who specifically look into the art object and it is their own evaluation that decides the willingness to buy. (Edelman, 2005) References: Edelman, S; (2005); Evaluation Techniques in Art; Bloemfontein: ABP Ltd Fletcher, R; (2005); Art Principals: Beliefs and Knowledge; Believing and Knowing; Dunedin: Howard & Price Kar, P; (2006); History of Art; Kolkata: Dasgupta & Chatterjee King, H; (2006); Modern Artists; Auckland: HBT & Brooks Ltd Lamb, D; (2004); Cult to Culture: The Development of Civilization on the Strategic Strata; Wellington: National Book Trust Samuel, A; 1999; What is Art: The Appreciation of Art; NBT Publishers; page 184-185, paragraph 7 - 1 Mitra, Ashoke; 1985; Art of the Western World: A Journey from Pre History to Post History; Alliance Publishers; Page 544, paragraph 4. Read More
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