The film Micmacs by Jean-Pierre Jeunet may not be as much liked as his earlier films like “Amelie” or that world war epic, “A Very Long Engagement”. But still this film too has a Jeunet touch. Micmacs is about the hopeless life of Brazil, a clerk in a video store in Paris…
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He escapes from there and takes up the job in the video shop. One night while spending time leisurely in the video shop he gets caught in a cross fire in the gang war in the street. A bullet lodges in his skull. In the surgery table a surgeon explains different options before him and comically invites a nurse to toss a coin and decide the possible option. The toss decides that the bullet be allowed to stay in the skull. With the bullet in his skull Brazil can go on living; he will be fully conscious though he may get brain storms. But he can die anytime. From the hospital he is thrown back to the street, without job and shelter. He starts performing in the street, with his impersonations of Charlie Chaplin, the eternal tramp of Cinema. During one of his performances he comes across a bearded old lag, an expert criminal called Slammer. This acquaintance leads him to a bunch of outsiders who live under a garbage yard. They live among the heaps of discarded objects symbolizing how discarded they are from life itself. The group includes the Elastic Girl (“a sensible soul in a flexible body”) who is a contortionist, a black ethnographer named Remington, a human cannonball named Buster along with the mother of the den Mama Chow whose daughters have disappeared.
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