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Several events are hosted in the museum, and it provides ample opportunity for amateurs as well as professionals to develop an appreciation for contemporary art. This paper briefly describes three images that form an integral part of the prestigious MCA Denver museum.
The paintings by famous Austrian painter, Hermann Nitsch, are on display in the MCA Denver museum of contemporary art in the series entitled, “Bloodlines: Paintings by Hermann Nitsch,” which represents Abstract Expressionism (“Bloodlines: Paintings by Hermann Nitsch,” par. 1). The image “Schuttbild (6-Day Play)” is a brilliant depiction of the emotions of an artist who has spilled agony, frustration, and helplessness on canvas.
The use of a blend of pigments and blood on the canvas also portrays the enigma of materialism and sacrificial practices of the Catholic Church (“Bloodlines: Paintings by Hermann Nitsch,” par. 1). It is interesting to note the use of fresh red color with an almost invisible backdrop of brown color. The bright red color shows new and vibrant emotions, while the brown color shows old and faded emotions. Whether old or new, bloody sacrifices are painful and leave an unforgettable scar, as shown by the use of light brown color.
It is an image that must not be missed by art lovers. Image 2: Slides of a Changing Painting “Slides of a Changing Painting” is the theme of the artwork of Robert Gober that was exhibited in the Lu and Chris Law Gallery of the MCA Denver museum from October 15, 2010, to January 16, 2011 (“Robert Gober,” par. 3). Robert Gober has depicted creativity and unrealistic duality in the image that shows the chest with manly and womanly attributes. The right side of the image highlights the hairy chest of a man, while the left side of the image portrays the fleshy chest of a woman.
What is the artist trying to signify through the abstruse image? Perhaps Robert Gober wants to convey that women are more emotional than men because the fleshy chest of a woman is placed on the left side where the heart is also located. Image 3: Fireworks Bridge MCA Denver had also hosted an exhibition entitled, “Here and There,” which is the collection of artworks by noted American artist, Arlene Shechet (“Arlene Shechet,” par. 1). In the image, “Fireworks Bridge,” the artist has shown exceptional imagination and creativity.
This masterpiece is made up of a blend of cast-cotton pulp and pigmented linen pulp with contrasting streaks of blue and black colors spread on white and grey background (“Arlene Shechet,” par. 8). By compiling collages of cotton and linen, the artist has used the blue lines, which represent the sparks of fireworks in the sky. The network of these blue streaks seems to frame a bridge of fireworks. The use of blue color also signifies enlightenment of the mind engulfed in darkness and illusion.
Just like the thoughts are interconnected, the blue streaks in fireworks have been shown to be intertwined. The artist’s work depicts the need for a revolutionary thought to change dogmatic and superstitious beliefs. Indeed, the image is worth seeing.
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