Jazz music is thought to have developed from Chicago during the mass movement of black Americans from South to North which was referred as "The Great Migration". Nevertheless, “Chicago venue owners, patrons, and musicians expected hard-driving, uptempo playing, and they…
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Hence, Jazz music was established by African American slaves who were prohibited from maintaining their indigenous musical traditions, and this made them feel the need to substitute some home-made form of musical expression. In relation to that, we can depict that the white were not ready to be associated with jazz music since they perceive jazz music as an African American art and not of the white.
However, some conservative white and black Americans did not approve of jazz music. For instances, some conservative white did not approve of jazz music since they perceive jazz as a black American music. Jazz music features the black American experience over conservative white insensibilities that made them exploit the black American. This made Lois to say that some conservative white like did not approve of jazz music since “Jazz music created a sense of identity, originality, and social cohesion among black musicians” (Lois L.pg .9). I prefer this quotation it has helped me to illustrate how the Whites failed to acknowledge black-Americans music since they repudiated to equate anything valuable with black Americans.
Subsequently, some conservative black-Americans did not approve of jazz music due to the social stigma associated with the music. For instance, “Jazz Must Go,” was the heading of a critique published in 1921 by one journal in America (Scaruffi, P. pg. 103). I prefer this quotation as it has helped me portray how stigma formed an environment for black mistreatment since jazz was considered black folk music.
The University of Chicago Library. "Chicago, Jazz, and the Great Migration." The University of Chicago Library. N.p., 2012. Web. 27 May 2015. Retrieved from
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