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The audience consisted of people from all walks of life and cut across all age-groups. Nevertheless, the appeal of jazz on young people like was intriguing. Many students and youth who were already out of college were in attendance. From the yells and screams they were producing, it was clear they were enjoying every second of the show. The concert featured one of the most popular jazz musicians in New York, Ari Hoenig. Ari Hoenig has a small super jazz band. It did not take long for the small band to work the audience into frenzy.
The group’s performing forces are both instruments and voices. Drums, violins, guitars among other instruments combined with the band’s voices to produce compelling music. The first song of the night was Lines of Oppression. Hoenig brought it out powerfully by amazingly working on his drums in a manner that took drumming to the next level. He almost made the drums sound like horns before settling down into a loose swing groove (Kelman n.p.). The song started off in a pianissimo but somewhere in the middle rose to a crescendo before leveling out.
The reason for this arrangement was to bring out the intended mood of restlessness which often results from oppression. The texture of the song is basically polyphonic with the effect of heightening the musicality of the performance. The voices of the singers blend beautifully with the various instruments used. The tempo, however, keeps changing throughout the rendition. This is in keeping with the song’s expressionistic sonority because Lines of Oppression is largely emotional. Consequently, the artiste was able to grip the audience throughout the performance.
Generally, Ari Hoenig was able to reach out to the hearts of his audience throughout the performance. The second performance of the night was Wedding song. The song dispels the impression that Hoenig is
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