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Genres Of MusicHip-Hop Chicano: A Separate But Parallel Story By Raegan Kelly Search for societal identity since immemorial to date has not ceased, whereby youths have always yielded to the application of varied approaches that would enable them to receive societal recognition. This is evident in this excerpt where its core purpose entails highlighting how youths and other races via their creativity managed to catapult themselves to the media’s limelight. Through this, I learned how the then-youths devised musical genres different from those of their time to express what they experienced on a daily besides incalculable predicaments (95).
Though not mentioned clearly in this excerpt, I have also unveiled the manner in which the genres perpetrated violence and perversity owing to their uniqueness. This is evident from devising of own language, unique dress code, and gang-related names of their bands, which characterized groups from certain races (95). Making a Name: How DJ Kool Herc Lost His Accent and Stated Hip-Hop By Paul D. Miller The chapter despite initially seeming confusing, it comprises an elaborative account of a rising DJ to fame.
In this chapter, Miller details how Herc managed to be an outstanding icon despite numerous setbacks that he encountered in life similar to each person evident while growing up. The setbacks encompass belittling especially by superiors and even wrangles that yielded to chaos in the halls where he and his crew held concerts. Shockingly, I come to realize numerous acts comprising his concerts, which besides being fueled by people from outside, also contributed though indirectly. This is evident from his confession of a weed peddler trying to hawk in the hall though in a language not understood by the majority, but only his habitual clients (80).
Hence, this is an example of numerous behaviors that characterized the then musical genres, especially among the youths besides being in gangs. This is via Miller’s explicit explanation that I managed to unveil evidence in diverse sections of the chapter. Puerto Rocks: Rap, Roots, Amnesia By Juan Flores The emergence of new musical genres especially those encompassing youths has always been associated with aggression, for instance, rap, which DJ Charlie Chase confirms (70). Through this chapter, I have come to know that numerous rap superstars in their conduct usually exhibit arrogance probably because they emanate from Puerto Rico, which also characterizes their lifestyle to date (70).
From extensive study and reflection on this, pride characterizes rap music. This is evident from DJ Charlie Chase’s words where he contends those at present are arrogant and learned the genre from him thus praising himself, which ought not to happen (70). Besides, regarding genres’ compositions, no one ought to contend they appear in a certain way because of his or her creativity. Since, their (diverse musical genres) present compositions emanating from races’ diversity, for instance, the Latinos and African Americans whose culture is evident in both reggae and rap music (74).
Youths’ quest to seek societal identity and recognition for a long has prompted them result to utilize varied ways especially music genres, which I have unveiled via the aid of explicit explanation of these three chapters. Mainly, this encompasses coming up with new versions that defy the inclusion of the then-conventional ways with the intention of appearing unique in their styles. Consequently, this extended even to the embracing of new styles like dressing codes and behaviors whereby numerous people, some turn to be arrogant and boastful, especially the rap musicians (70).
However, their rise to fame according to Miller is not easy because one had to struggle and prove his worth in the midst of chaos, for instance, Herc.
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