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Reflections on the similar principles underlying T. Chamber's masterpiece 'Hudson Highlands' circa 1840 and Samuel Barber's composition 'The Violin Concerto' with Piano Accompaniment - Essay Example

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Reflections on the similar principles underlying T. Chambers masterpiece Hudson Highlands circa 1840 and Samuel Barbers composition The Violin Concerto with Piano Accompaniment
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"Reflections on the similar principles underlying T. Chamber's masterpiece 'Hudson Highlands' circa 1840 and Samuel Barber's composition 'The Violin Concerto' with Piano Accompaniment"

Download file to see previous pages Both works are masterpieces in their own right with similarities that are obvious even to a layman like me. Both are soft and mellow in their respective styles with slight variations in tempo and timbre. Both compositions are balanced in a delicate manner with no sudden changes of form or loudness to jolt the eye and ear. In the painting the emphasis is on the play of shadows like that of a Rembrant work while in the musical composition it is the accompanying piano that lays the emphasis against the soft foreground sounds of the violin. The painting is well proportioned, the different constituents of the landscape blending harmoniously in the composition, without one overcrowding the other. In the music also the play between the violin and piano and the variations of pitch and timbre are in proportion without downplaying the importance of either.  The movement in the picture is depicted by the brush strokes of the road with softly curving stripes while the piano takes upon itself the task of movement, alternating between slow and fast movements. Both the painting and the musical piece have slow and sedate rhythms with slight variations to relieve the monotony. No work of art is without repetition. While
Chambers does it with the drawing of trees and sails, Barber does it with the same movements alternated with different tunes in between. ...Download file to see next pagesRead More
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