Instructor SMC Orchestra Concerto Report On Saturday December 4, I attended the “SMC Orchestra Concerto” in the [indicate the hall the concert was held]. The show was set to start at 7.30 pm, and I arrived twenty minutes before the scheduled start time to find the hall crowded, which is something that I had expected since I knew that the performers are capable of producing electrifying performances…
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The first piece was Overture to “Don Giovanni,” K.257 Wolfgang Amadeus Mozart with the conductor of the piece being Fang-Ning Lim. The piece authored by Wolfgang Amadeus Mozart, in 1787 consisted of ten instruments each connected to the other. In the first part, the conductor introduced the andante with the flute 1 being the instrument of choice with the part ending in C major with a flute 2. Conversely, the second pair of instruments used in part was oboes, with oboe one starting in the andante while oboe 2 ended in D major. After the oboes, the clarinets started with the first clarinet in A major starting whereby the oboe 2 ended. Thereafter, the second clarinet took over in F major. Other instruments used in the piece were two bassoons, horns, violins, trumpets, horns, timpani, violas, cellos and basses. Importantly, slow movements all through marked this andante and the entire piece and by the end of the piece, I had a feeling that the show had just started. After the first piece, the second piece introduced by James Martin was Keyboard Concerto in D Minor, BWV 1052 by Johan Sebastian Bach. James Martin told us that Johan composed the piece in 1734. Importantly, the piece included three movements, which are allegro, adagio, and then back to allegro with the piano as the instrument of choice in this piece, which was played by Yuko Terashima playing the instrument. This movement is marked by a tempo that is faster than the tempo in the first piece. In effect, the tempo made the place and the hall livelier, and it was evident that those attending the concert were beginning to appreciate the show as I was doing. After the first movement, an adagio followed the allegro and the tempo became more leisurely. In effect, I experienced a relaxed feeling and I appreciated the good music playing all along. The conductor, Fang-Ning Lim introduced the third piece as the Double Concerto, which is played in E Major and was composed by Max Bruch in 1734. April Shih played the violin while Douglas Rezende was playing the viola. With these two instruments, I expected the tempo to be relaxing and slow since the movement of this piece was moderato. I realized that the tempo progressively rose with the shape of the volume increasing in a crescendo. I I felt calm as this piece played while I was also filled with enthusiasm and anticipation at the same time. After the piece was over, the next piece followed since the conductor was the same although the violin was the only instrument used. In this case, the piece was Concerto in G Minor composed by Max Bruch with Lim telling the audience that the piece was composed between 1739 and 1738. Paul Lee played the only instrument in this movement, which was the violin with the movement being in andante allegro. In this case, the violin played in a slow tempo at the beginning and ended in a tempo that were fast and energetic. I realized that many people who had attended the concert were singing in appreciation as the movement progressed to a fast tempo. The fourth piece was the Concerto in D Minor, K.466 composed by Wolfgang Amadeus Mozart in 1785 as Lim told the audience. In this piece, Aidan Short played the piano in the movement that was an allegro. The movement
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(“SMC Orchestra Concerto Essay Example | Topics and Well Written Essays - 750 words”, n.d.)
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(SMC Orchestra Concerto Essay Example | Topics and Well Written Essays - 750 Words)
“SMC Orchestra Concerto Essay Example | Topics and Well Written Essays - 750 Words”, n.d. https://studentshare.org/music/1464834-smc-orchestra-concerto.
These sound traits reckon on the amusement of a few explicit concerts that grant the listener the genuine gratification. A person enjoys because of the those numeral fundamentals which appear collectively to produce that happiness, the work of art, the instruments, the orchestra and the antechamber should be in outstanding arrangement to create an unforgettable eavesdropping experience.
The author discusses the development of orchestra revolutionized concert music in Northern and Central Europe during the Classical period. Development of music in the classical period is a result of developments in the periods preceding it. Each period had music of its kind, which differed from the other in terms of composition and textual input.
The word orchestra originally signified the section in ancient Greek theaters between the stage and the audience that was used by dancers and instrumentalists, between the stage and the audience that was used by dancers and instrumentalists.
According to the date that the composer himself noted on the score, the concerto was completed on April 12, 1784. It was premiered by Mozart's student, Barbara von Ployer, on June 13, 1784 at a concert to which Mozart had invited Giovanni Paisiello to hear both her and his new compositions, including also his recently-written Quintet in E flat for Piano and Winds.
As a child, Johann Sebastian Bach took keyboard lessons from his brother who was an organist at a church and later on turned into a full time music composer. His lifetime composition included over 1000 individual works, which gave him great recognition as a composer.
So the opening for the trombone must be accomplished with verve and drama.
The initial motif appears several times throughout the work, and therefore is a crucial part of the performance. It is important to attend to the tension that exists between the dotted and triplet rhythm at this point, and so accuracy is key.
Three pieces of music were played in the concert of which the first one was of Iron Diamond .This melodious work was followed by the musical piece named Symphony No.99 which was composed by Franz Joseph Haydn.