Themes in gospel songs in rhythm and blues context Name Institutional affiliation Tutor Date Themes in gospel songs in rhythm and blues context Black popular music tradition is referred to as Rhythm and blues. Since 1940s – 1960s, this kind of music was known as black pop-music…
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This led to repetition of gospel music in a rhythm and blues context. Blues music can be said to be that music that developed from a blue note. Blues emerged as a result of self expression of the African-American community members in the United States of America, from gospel music, work songs, chant songs, and rhymed songs mainly meant to describe desperate moods of the African-Americans. At that time, according to Charles (2004) black music was termed as inferior. Blues music never needed other accompaniments during performances but, after some time they accepted the use of rhythm groups and horns rather than just the gutter alone. The general format of blues music can be traced back to the African music format of chorus answer format. It was noted that bluesmen like Skip James, Charley Patton, and Georgia Tom Dorsey are known to gain influence from spiritual songs. Gospel music developed in the early 1930s where most of the artists started performing gospel music in churches. Musicians such as King, Ruth Brown and Ray Charles are the leaders on transformation of country blues to modern blues and the developments of music blues from Soul. They are also credited for the improvement of vocal techniques that are applicable in the today’s contemporary world. Blues music was accused and named as having a great relationship with the devil's works. Over the years, it was known to incite violence among the city dwellers in the urban areas. According to Charles (2004), the artists protect the view, and there is no difference between blues, and other form of music. In gospel music, they use Jesus and blues they use baby. Arnold Show presents the golden year of the R& B music. During this time, the blues musicians who played the music came from the same place. For instance, the Chicago blues, all the musicians came from Chicago. It is also noted that blues is blues and that the tune does not change that s why gospel themes have been repeated severally (Arnold, 1996). Ruth Brown and Dinah Washington are recorded as the first female R&B artists to perform blues and rhythms in a church setting. They succeeded in their music but, faced numerous challenges from the white community. In the long run, they ended up performing on stage as white singers. Ruth and Andrew (1996) indicate that this fact led to the success of their music both among the blacks and whites. Charles (2004) noted that he has been popular R&B artist for a long of time from 1930 to 2004. He is a singer, pianist, arranger, saxophonist, and bandleader. He is known to develop gospel music fused with, melodies, singing styles, harmonic and rhythmic patterns of gospels and secular remix. These influenced several singers to follow his procedures of fusing secular music with gospel music. Jerry Wexler, another R&B artist is known to have his music pass through the period of race till the modern era, where his music is known to influence many teenagers in the society. It was evident that the problem of fussing gospel music and secular music was rampant and, it became difficult for blacks to sell their music to the whites. The whites concentrated on selling their popularly known music and, never had any interest in Negro music. The demand of negro music was mainly from black buyers, the reason why gospel music kept repeating itself in blues and rhythm contexts. With the improvement of blues music, the whites started buying black music and the market moved from
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(“How themes from gospel songs and the songs themselves have repeatedly Essay”, n.d.)
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“How Themes from Gospel Songs and the Songs Themselves Have Repeatedly Essay”, n.d. https://studentshare.org/music/1436443-how-themes-from-gospel-songs-and-the-songs.
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