The presentation of “Carmen” is one which held several characteristics that were appealing to the audience. The program was held at the San Diego Civic Theater on May 14, 2011 and was performed by the San Diego opera…
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The hall size was medium to large and has a capacity of holding 2,967 people plus has room for the orchestra pit and main stage. The theater had chandeliers and a set of fine arts accents making the event seem more formal. The audience followed through with the formal occasion and the atmosphere that was noted from the dresses worn included fancier and wealthy looking clothing. These combined aspects made the atmosphere serious and created a different setting for the event. The name of the liberettist was Nino Surguladze and plays the role of Carmen from the 1875 opera written by Bizette. The opera is set in Spain where Surguldaze plays a gypsy that smuggles items. The opposing voice is Richard Leech, who plays the tenor in the opera as Don Jose. There is also the part of Micaela, a soprano played by Talise Trevigne and which acts as the fiance of Don Jose. Wayne Tigges, the second tenor, plays the man in which Carmen falls in love with and which leads to her final tragedy. The performance forces that are associated with this include an orchestra. The opera program follows the main names of those who are in the opera as well as in the orchestra. The program is also inclusive of the main plot line and the concepts related to the performance. There is also a section for sponsors, donations and affiliations that are a part of the opera and which provided support for the presentation. ...
However, the details of the performance and the various understandings of each of the musical pieces, despite translations being available, were difficult to follow because of the language differences and atmosphere of the theater. Before going to the performance, I didn’t read about the work or other information from an approved source. Most of the performance aspects were unfamiliar to me, such as what to expect, how the opera would be, what the setting would be and the approach which would be taken. The performance conventions which surprised me were based on my unfamiliarity with the opera and the plot of Carmen. I didn’t know that it would be in French or would have the amount of work which went into the various pieces. I also had assumed that opera was based more on the singing; however, this particular style used a large amount of acting and movement on the stage. This was refreshing; however, it was also unexpected. The musical and dramatic elements that were in the opera were based on the characteristics of being in Spain and belonging to the Gypsy race. This is heard from the beginning overture and leads throughout the various works. The first example of this is “Habanera,” in which Carmen announces her love to the village. The main element is the rhythm, which keeps a Spanish dance beat of 1, 3, 4 with a slight accent on the “and” between the 3 and 4. This is combined with the simplistic melody which follows over this and which is led by Carmen. During this point, the lighting is strong and depicts happiness with the dancing and announcement which Carmen makes. The second example of music which follows this characteristic is “Toreador Song” also known as the drinking song. When hearing the orchestra, there is a
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(“Opera Report-Carmen(Bizet) Essay Example | Topics and Well Written Essays - 1000 words”, n.d.)
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(Opera Report-Carmen(Bizet) Essay Example | Topics and Well Written Essays - 1000 Words)
“Opera Report-Carmen(Bizet) Essay Example | Topics and Well Written Essays - 1000 Words”, n.d. https://studentshare.org/music/1422878-opera-report-carmenbizet.
It was sung in French but it was great because there were subtitles projected on a screen. We were able to follow the stage and understand what the singers were singing. Our seats were in the balcony (CC). People were elegantly dressed. I went with a girl friend as I didn't want to go by myself.
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