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The two films The Matrix and Contact display evidence that the above claim is true.
Two of the greatest messages of The Matrix is the loss of individuality and the threat of knowledge - the two categories that John Baxter is convinced comprises of the entire science fiction genre. The premises of The Matrix is that human beings are kept in pods, feeding the machines as though they were batteries, while being given memories and experiences that are purely mental, as opposed to physical, which is a huge aspect of the human experience. While the human beings in the Matrix may appear to be individuals, living their lives and doing their own thing, they are all in the same situation in the real world. They are nude bodies, sleeping in pods, being fed memories while being completely unaware of this. There is no individuality in this film.
The twist in The Matrix is that there are hundreds of people that are “free” from this imprisonment and understand what happened to them before they were able to be freed. Neo, Trinity, and Morpheus, to name a few, are among those that were lucky enough to be freed from the battery emporium of the machines. No longer connected to the contraption that feeds their minds memories that are not actually real, these people define what it means to be individuals. As they now have no part of what makes the other people lose their individuality, they act as a comparison/contrast against those that are still connected to the machines. The Matrix is a great example of what it means to be lacking individuality due to the fact that it also offers glimpses of the other side of the argument.
Although the goal of the characters in The Matrix involves freeing themselves and others from the grasp of the machines, another goal can be seen as gaining back their individuality. The digital self that every human being sees is the individuality and uniqueness that they would have if the machines
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Discuss with reference to at least two of the set texts. Science fiction movies have been an essential genre in the film-making business for a couple of years now. There has been an ample stream of sci-fi movies inundating the entertainment industry, in the last few decades, mostly making a lot of impact on its viewers.
The movie revolves around a thief, Cobb, who steals precious information from the minds of his targets. He does this by projecting into their respective subconscious and sourcing the essential information.
Science fiction is adaptive; it changes with the times and this trend can be seen in its incorporation of other genres, cultural history and technology. This essay will attempt to define the genre, chronicle the history and evolution, and explore its relation to technology.
Cinema Fantastique, more modernly and cryptically known as sci-fi, is a genre film that has often been able to peel away the pretense of civilization and dig down into the real motivations, fears and ecstasies of human nature. It does this by the creation of a
tific or other logic.” As by its very definition science fiction is rooted within the confines of a genre, many critics have derided the genre as non-literary; however, upon examination it’s clear that the central concerns of science fiction are oftentimes directly in-line
The ideas and writing (outside of grammar mistakes) are entirely my own. I can positively assure you that the essay is not plagiarized and welcome its submission to any detection service.
I greatly appreciated the course and took great interest in the films,
Though the film is a science fiction piece that deals with the arrival of aliens on Earth, the various characters, creatures, and events still set the environment for a cold war that causes widespread destruction and devastation.