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h the sound of film was still relatively new and listening to the voice that is created in these films provides a sense of the importance of sound in film.
While sound in film was being developed as early as 1911, it wasn’t until 1927 when the first monumental moment in sound occurred. Alan Crosdale’s The Jazz Singer provided not only the first real example of the technological advancement, but gave Warner Bros. a marketing advantage that was intended to bring a waning audience back into the theater. Sound in film allowed for a stronger competitive edge against both radio and vaudeville which were distracting audiences from the movie theatres (Hayward 333). The new technology had an effect on a great number of aspects of the film industry.
The sound that would now be included as part of the development of a film had an impact on a great number of factors that would affect a movie as it was produced. First and foremost, actors who could not emote verbally or whose voices did not have a pleasing or correct sound could no longer make a living on film. As well, new positions were created as the way in which sound was applied to film called for specializations in those areas. The Jazz Singer had singing and a view improvised lines, but the first film to include a full dialogue was also released by Warner Brothers and titled Lights of New York in 1928 (Shepard 3).
The animated Disney film Fantasia is credited with having been the first film with a full orchestral arrangement developed with overdubbed instruments to provide a stronger audio experience (Shepard 3). The methodology of creating sound with film was first developed by having two separate systems that were synchronized for sight and sound. The Movietone system that was developed in the 1920’s allowed for sound to be put directly in with the film so that it could be cut together and then layered by the sound technician (Tibbets 195). However this caused its own problems which created the development of
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