This autobiography is written as a tributary of consciousness as well as based on the impulsive road trips of Kerouac along with his friends across mid-century America. It is often thought of as an important work of the postwar…
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The concluding edition was not published till six years after Kerouac wrote it in one extended paragraph in 1951. In 1957, the Beat poem “Howl” (by Kerouac’s friend Allen Ginsberg) had gained unsavory reputation; the newly published “On the Road “was proficient to ride the wave of attention in the Beats as well as make Kerouac an immediate celebrity
“On the Road’s” cross-continental journeys are about Kerouac’s trips, mostly by car and bus and often accompanied by his friend Neal Cassady, the frenetic, charismatic, independent scholar from the West. Cassady’s name in the novel is Dean Moriarty. The novel begins with Dean and Sal Paradise (Kerouac) meeting in New York City and progresses through four mostly fast-paced trips, back and forth amid New York and California, up and down the Eastern Seaboard, along the Gulf Coast, and downs into Mexico, with notable stopovers in Denver and New Orleans, the latter to visit Old Bull Lee (William 3). The open road, poverty, drugs, alcohol, jazz, hunger, sex, speed, and characters met along the way create intense situations that allow the travelers to observe, react, and consider while becoming more familiar with their own identities.
The novel’s two principal characters are the narrator, Sal, and his companion and hero, Dean Moriarty thinly veiled versions of Kerouac and his friend Neal Cassady. The book unfolds as a loosely connected series of episodes that document the pair’s adventures during a drunken and drug-ridden odyssey through the United States. Along the way, they meet and befriend an unforgettable gallery of American types: jazz singers, drug addicts, hitchhikers, and drifters. Their journey culminates in a revealing and darkly humorous stay in Mexico (Challi p 10).
Much of “On the Road” is barely disguised autobiography, a document attesting to the
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The Beat Generation & the Hippie Movement. When we talk about youth protest movements in America, the hippies and the 1960s come into our heads at once. But the fact is that the sixties witnessed only the second wave of youth revolts and student revolutions that have irrevocably changed the world.
The power of poetry is deeply indebted to the direct communication with the readers. One can see that poets make use of their works as a mouthpiece to express their viewpoints to those who interested in poetry. From a different angle of view, poetry follows the oral tradition/folklore/folktales in literature.
However, within this calm, the seeds for the cultural and social revolution of the 1960s were sown, in the form of the Beat generation. The Beat generation was post World War II youth, especially writers, who were prominent in the 1950s. The generation and the literature that it developed has been extensively debated by academics and journalists .
Weinreich has reminded that once beat became popular, the beat generation was not limited to poetry or literature but to everything else as well (263). The “beatniks” had become “cultural icons” (Weinreich, 264).
These were youth who were confused in the conflict that their world was facing at that point and time and they just wanted to find their own way and their own identity. John Clellon Holmes expresses that the Beat generation always seemed occupied in feverish activities which were sometimes stupid.
A closer examination of the play, and more specifically, of three of Lula's statements, reveals a larger complexity. It seems apparent that Lula's ill-intentioned but seemingly motiveless targeting of Clay is perhaps the result of a combination of three factors-her hatred of blacks, her antipathy to manhood, and her obsessive desire for control.
ht of a single appraisal in a local daily, that year.As Anna Hassapi comments in her book review that the “beat generation” had a single subject of interest, that being life.Sal Paradise states about the holiness of life and how each and every moment should be cherished.
The members are characterized by impulsivity, having been brought up during a time of depression, they actually uphold individualism as opposed to collectivity. The girl mentioned in paragraph one is a marijuana user at eighteen years and does not
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