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The role of Viola is a servant that perfectly demonstrates the willing service she will offer in her role being a wife. From Viola's position as wife of Orsino presumes an erotic demand that includes Viola's unselfish love and the contentment of gender-blurring making it noticeable the erotic possibility within the unequal power relationship inherent in condition of service itself. Whereas lots of critics have outlined fictitious plots of women concealed as boys to serve their male beloveds, the absolute range and power of these erotic relationships implies that Twelfth Night depicts an existing matter of social relations in the early contemporary family.
The Malvolio plot is an intricate apparatus for the managing of affairs between upper servants and their employers. The Twelfth Night may have been making the most out of the scandal of an underground social practice. This is for because of the apparent signification of passionate meanings through certain kinds and colors of clothing and the circulation of indistinct verse with equally indistinct handwriting. Inside Olivia's household is the characterization of conspiracies and sexual liaisons.
The Twelfth Night play tolerates a lot of lavishly erotic interactions that remains noticeably insensitive to Malvolio's desire. Malvolio is much more ridiculous for wanting to marry Olivia than is Olivia for wanting to marry Caesario. Moreover, Twelfth Night draws a line that connects acceptably arousing erotics of service and a social taboo. Malvolio's desire for power created a threat on both social and symbolic register. The character that Malvolio plays performs an ambitious individualism that will eventually be successful in clearing out an ideology of service at the heart of other employer-servant relationships in the early modern culture in his humorless desire for power over others along with his self-interest that lurk behind an submissive faade.
Erotics of service have traversed the boundaries of social standards at a certain degree. Cultural anxieties do not essentially show a direct relationship with the degree of threat involved. Albeit a considerable number of women are essentially engaged in sexual acts with their male servants, the opportunity for erotic intrigues in households became part of a cultural fantasy. With their differences in position, Olivia and Malvolio's sexual connection is considered impossible within the society.
From the confusing transition from feudal to capitalist economies, from the related decline in the status of servants, and from the fluidity of their status within individual households, all of these shaped the erotics of service in the early modern household. Furthermore, the Twelfth Night portrays a potent strategy of gaining dominance in a household and a depiction of the early modern culture's deepest fears as the ideology of service, so important to a neo-feudal hierarchy based on rank and class, showed signs of tension.
As a servant, Malvolio pulled off a particular degree of glory and good affluence through his great effort of serving as a steward of great noble household accounting to his trustworthiness especially to his mistress. Despite the fact that his deeds designates a severe punishment, Malvolio's effort was really improper
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