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Feminism in Much Ado About Nothing - Essay Example

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Shakespeare's play, Much Ado about Nothing, is an exploration of love and marriage presented in a comic setting. The main characters of the play, Beatrice and Benedick, are active participants in what some might classify as the typical love/hate relationship…
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Feminism in Much Ado About Nothing
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From the feminist perspective, the relationship between the two main characters reflects greatly on the overall feelings of the sexes in general. In the play Much Ado About Nothing, Beatrice and Benedick's opinions regarding love and relationships, and the presentation of the concept of love and relationships in the play, both demonstrate how Elizabethan times mistreated the female role, emphasizing the concept of radical-cultural feminism, and also how the male code of honor can bring a man do collapse and devastation.

The Radical-Cultural feminists believe that women should encompass their femininity because it is better than masculinity. Mary Daly advocates finding the "wild female within". This type of radical feminist sees sex and penetration as male dominated. They see a link between sex, female subordination, porn, rape and abuse. These must be eliminated, according to Cultural-Radical feminists. Yet another opposing view is that reproduction is the source of power for women. They believe that men are jealous of women, and that they try to control reproduction through means of technology.

In order to set the stage for the initial criticisms of marriage, Shakespeare first introduces his audience to the set of conventional lovers, Claudio and Hero. These two characters undergo a relatively predictable and acceptable type of courtship. However, another important aspect is presented in this relationship, that reflects on the concept of feminism. The progression of Claudio and Hero's relationship demonstrates to the audience how women were very much dominated by men. For instance, Claudio states, "can the world buy such a jewel," when referring to Hero.

This metaphor is important because it reflects Claudio, the male's, perceptions of the female, Hero, as an object, and not as an actual living, breathing individual. Even Hero's father refers to her as an object to be owned. For example, Hero's father, Leonato, states: 'If the Prince do solicit you in that kind, you know your answer." This demonstrates the fact that Hero has no control over her own life; even if she does not like the Prince, she must agree to a marriage. Hero, however, is the typical dutiful Elizabethan daughter; during this time, and considering her status, she was a mere pawn in this patriarchal society.

According to Eleanor Bron:Elizabethan women were expected to bring a dowry to the marriage. A dowry was an amount of money, goods, and property that the bride would bring to the marriage. It was also referred to as her marriage portion. After marriage Elizabethan women were expected to run the households and provide children. Large families were the norm as the mortality rate for children and babies was so high. Many Elizabethan woman made arrangement for the care of their children in case they themselves died during childbirth.

Thus, she must do and say as her father says, and then later, as her husband says. She is therefore not allowed to think for herself; she is simply told what to do and expected to do what she is told. This presentation of Hero's character and situation

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