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Othello - Essay Example

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Of the many themes contained in this enchanting tale, like jealousy, honor and love, revenge is by far the most striking theme. Unlike love and honor, the desire for revenge is not restricted to Othello alone, but affects most of the cast of characters. How the passion for revenge inflames young and old, making them lose sight of reason is what strikes one most about this story.
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OTHELLO: REVENGE Of the many themes contained in this enchanting tale, like jealousy, honor and love, revenge is by far the most striking theme. Unlike love and honor, the desire for revenge is not restricted to Othello alone, but affects most of the cast of characters. How the passion for revenge inflames young and old, making them lose sight of reason is what strikes one most about this story.
The principal character, Othello, believing (wrongly) that he has been cuckolded by his wife Desdemona, feels that the only way he can defend his honor is by killing her. He also feels that by doing so, not only would he be redeeming his honor but would also be sending a message to others on the fate of women who betray their husbands. Similarly, Othello also feels revenged when, by injuring Iago, he condemns him to lead a life of pain and misery. Ultimately, though, when Othello realizes what he has done, he takes revenge on himself by committing suicide.
However, it is not Othello alone who is consumed by thoughts of revenge. The initiator is Iago, who by planting the seed of doubt in Othello's mind, destroys the bond of loving trust between Othello and his wife. The reason for this is that Iago feels slighted when he is overlooked for the appointment of Lieutenant and wants to take revenge. Even Brabantio wants to take revenge against Othello for his daughter's running off with Othello and thus petitions the Duke to imprison Othello.
Thus, revenge is the most striking and central theme that runs throughout the narrative and indeed the entire plot revolves around this theme. Read More
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...unconvinced on the matter. In this situation, Brabanzio considers his daughter as a person who cannot make her own decisions. He portrays his daughter as a naive character, thus, portraying all women as naive persons incapable of making their own decisions (Shakespeare 27). Desdemona defends her husband by indicating that their marriage was genuine, a situation that irritated her father. Brabanzio’s character indicates that women should not make decisions in the absence of men, and are, therefore, inferior. Shakespeare’s play, Othello, depicts men as superior, with society having a male dominion. Most males are superior citizens, holding central positions in the military. Women act as second class citizens used by men as objects....
4 Pages(1000 words)Essay


... women in the play as personal prized property is pathetic. It indicates an aspect of a deep-seated and undesirable sexual pathology in the city of Venice. The phobia of women’s sexuality is omnipresent in the entire play. Desdemona’s father Brabanzio decides to follow his daughter when he hears that she had married Othello, the Moor. This happens after he is informed by the bitter Iago and Roderigo who were also suitors to Desmedona. They believe Brabanzio has full authority over his daughter. This is an implication that women, even at older ages, are still under strict control by their male counterparts or fathers. Another typical example from the play is the behavior of Iago, who is an epitome of misogyny in the whole context. He decides...
4 Pages(1000 words)Essay


... father. Brabantio, a Venetian Senator, awoke one night from a commotion brought about by Iago and Roderigo as they notify him that Desdemona has absconded with the "black ram" or "Barbary horse," or Othello. The two men tells the senator that the "lascivious Moor" has taken Desdemona and she has "made a gross revolt,/ Tying her duty, beauty, wit, and fortunes/ In an extravagant and wheeling stranger/ Of here and every where (1.1.126-137)." When sense that his daughter is not in her bed, he ensues to place the culpability on his daughter and likewise blames Othello. Most critics would argue that Brabantio should have blamed himself more that anyone else (Hageman 67). On the other hand, Brabantio is deceived by the two, eloping without his...
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..., but too well” (V, ii, 353). This insight goes a long way toward explaining Othello’s character. It is because of where he’s placed his love that he behaves the way he does. He is a hero because of his ability to act according to what love dictates and is brought to his ruin because of where that love had been placed. Generally, heroism refers to a character that embodies our concepts of what is good and noble in the human race (Vest, 2002). Othello is a good example of this as he has risen, through his own hard effort, from the pits of slavery to the General of the Venetian ships. “I fetch my life and being / From men of royal siege [rank]; and my demerits [deserts] / May speak unbonneted to as proud a fortune / As this that I have...
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... and the story’s drama plays out between them. Iago appears to be slightly angry that he has been passed over for a promotion by Othello. It can only be said that this “appears” to be the reason for what he does because he is a very strange character. He does not seem to especially care whether or not he gets any advantage so long as Othello is destroyed. In other plays villains may create situations or traps to ensnare protagonists as Iago does with a handkerchief. However, there is something more evil about Iago. He seems to enjoy not only inspiring Othello’s jealousy, but fanning its flames. He watches Othello’s face contort and sees his pain and continues to act. The intimacy of this cruelty makes this relationship, and Iago’s...
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...and nobility. He believes in the absolutes. lago subscribes to no particular thought and believes least in human beings. The book’s popularity can also be traced to its modern nature. At the core of intrigue is the very realisation that the play is matter of a private life affair than the other great tragedies. This impression is supported in a number of ways. Othello is a depiction of modern life as the drama depicts contemporary life. The characters appear very close to the readers than in Hamlet or Lear. Many people will realise that Othello employs a sense of beauty that is not available in most plays of the time. Of Shakespeare’s plays, Othello stands out in one important respect:...
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...e considering Cassio’s youthful look and relationship with Desdemona. He also uses Cassio because he resents him and is frightfully jealous of his high position of a lieutenant (Shakespeare 1674). Lago goes to the extent of joining forces with Roderigo-Desdemona’s suitor, who agrees to help him kill Cassio after Lago points out that he is another potential rival for Desdemonna. In Cyprus, Lago is a favourite customer to a prostitute named Bianca who he teases from time to time with promises of marrying her. Therefore, Lago is portrayed as evil and causes of trouble and harm. Works cited Orlin, Lena Cowen. Othello. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004. Print. Shakespeare, William. Othello. Middlesex: Penguin,...
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...and the makeup, equating that to a mere mummy singer and that the depiction was a modern stereotype (Arogundae). In 1960, there was an aggressive agitation for black rights in the United States of America and any white man stereotypical portrayal of a black man would be adjudged racial. In the present times his portrayal of the Othello character in the movie would not be deemed racist, he plays the role of Othello by showing that the character even though valued for his military dexterity and nobility of character, he portrays a culture in which racial tensions, particularly questions about the mixing of races through intermarriage. Additionally, Shakespeare had made the character to have an ambiguous...
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...the first part of the play. When they finally start to specify whom they are referring to, they do so with nicknames that depict racism. Racial epithets used by the actors include “the thick lips” and the “Barbary horse.” Although the presence of Othello is there in the second scene of the play, he becomes vocal at the center of Act 1, scene III. Later, Othello is the last to arrive at Cyprus as depicted in Act II, scene I. He stands apart while Lago and Cassio engage in a discussion, in Act IV the first scene. He also assumes that Cassion has passed away when the Act V’s fight occurs. The status of Othello as an outsider may be why he appears to be an easy target for Lago. Although...
4 Pages(1000 words)Essay


..., manipulation, and murder to gain what he thinks he deserves. He is a dangerously selfish man. As for Othello, he is a level-headed and virtuous person. Even when Iago says something about complaints against Othello, the latter does not respond aggressively. Othello is not malicious and aggressive, and instead, he thinks that his good record will prove his merits to all. Part B: Shakespeare described Othello as a "Moor."  Did he intend him to be Black?  Opinions differ, although he is usually assumed to be Black by critics and directors.  Interesting, he has only recently begun to be played routinely by Black actors; for centuries he was played by white men in...
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The Controversial Aspects of Othello and The Merchant of Venice Plays: the Relation of Art and Society

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The Nature of Relationship between Othello and Desdemona

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