Views on America: Dickens and Tocqueville - Essay Example

Views on America: Dickens and Tocqueville With the independence of America in 1800th where the equality among es was welcomed and human rights were staunchly upheld, a number of authors started their writing journeys. Charles Dickens and Alexis Tocqueville each had very high hopes as they made their way across the Atlantic. However, both were fated to be sorely disappointed. The polish was off the brass for Dickens almost as soon as he experienced an itense attention from the uncivilized American public as well as from the English public. Tocqueville did not entirely lose his hopes for this relatively new country, though he did see some of its faults and dangers many years later. Though there were similar thoughts and reactions to certain aspects of what they witnessed, the exact reasons why Dickens and Tocqueville both were disillusioned with America and became so critical of its society differ in ways which were favorable to each writer's nationality and particular social upbringing. Dickens traveled to America already well versed in the available travel literature that had been produced both to help reforms at home as well as in America as each social structure was examined and compared. Prior to his departure, Dickens had high expectations for the new country as a source of information regarding how best to fix the social ills in England at that time. Prior to his first visit to America, Dickens was active in the suffrage movement as well as the anti-slavery movement, but that he had changed his mind, at least somewhat, by the time he returned home (Dickens, Charles. American notes. 1842). In many ways, this change of heart has been linked to the type of treatment Dickens experienced while visiting and touring the prescribed route between historical or picturesque vistas and places of social reform such as schools and jails. Dickens' unhappiness in America arose, in part, from the enthusiastic reception he received from America's public. This is a case of too much of a good thing creating something unspeakably bad. During his tour, he wrote to Thomas Mitton, "I am so exhausted with the life I am obliged to lead here If I go out in a carriage, the crowd surround it and escort me home. If I go to the Theatre, the whole house (crowded to the roof) rises as one man, and the timbers ring again. You cannot imagine what it is" (Grass, 2000). No matter where he went, Dickens was to experience the invasiveness of constant surveillance, while he slept and no matter what he did, as well as constant requests for the most personal items - locks of hair, pieces of clothing, knick knacks left behind, etc. That he recognized the damaging psychological ramifications of this type of constant surveillance can be found in his writings regarding his tours of the American prisons. Although they do not focus on this effect on the psyche of the prisoner, Dickens unmistakably writes from an informed position regarding some of what these men must endure during their years under the watchful eye of the guards (Claybaugh, 2006). The torment of the situation was not lost on him as he found it agreeable to recommend constant surveillance through such structures as the Panopticon model for Britain's new prisons. Meanwhile he criticized the relatively light treatment of prisoners who were permitted to perform useful work during their daytime hours. An examination of his writings regarding the prisons are helpful in discerning Dickens' psychological experience of America's practices. One of his strongest criticisms regarding the American prisons had little to do with the psychological effects of constant surveillance and instead focused on the effects of constant isolation from the company of others and the dehumanizing effect this had on them. This dehumanized individual undergoes his change from prisoner at admitting to cowed subhuman after the course of several years precisely because his horrors to go to prison have haunted him through the years. Despite the changes this necessarily brings about in the prisoner, his changes remain unknown to even the prison guards assigned to monitor him. To Dickens, this undocumented change was unthinkably horrible. "Despite his mild criticism of the Silent System, Dickens was horrified by what he saw at Eastern Penitentiary and New York's The Tomb, recognizing the continual solitary confinement as a torture of the mind and the destruction of a soul. "The system here is rigid, strict and hopeless solitary confinement. I believe it, in its effects, to be cruel and wrong" (Grass, 2000) is his unequivocal assessment. Although he felt that the other form of prison correction was too lenient on the prisoners because they were engaged in meaningful activity during the day, the revulsion he felt toward solitary confinement caused him to embrace the life in prison. At least here men had the opportunity to interact with other human beings during the course of every day as they were engaged in work that would benefit the outside society (nailmaking, cobbling, etc.) even if their language and actions were severely restricted and under constant surveillance. However, this too showed Dickens' inconsistencies in that he criticized this system because it was too much like regular work. While he praised these systems in America, he "remained an opponent of such 'productive' employment for convicts back at home, advocating instead the use of archaic punishments like the wheel, which provided wholly unproductive physical labor. The Silent Associated prisons that Dickens saw both in America and at home in England erred on the side of humaneness rather than on the side of cruelty, at least in Dickens' initial estimation of Boston and in his later writing upon English penology", as suggested by Grass (2000). It is important to emphasize that for Dickens, the constant surveillance remained sufficiently brutal to be a recommended practice. After having been exposed to this form of constant surveillance without even being able to necessarily see the watcher, Dickens noted that the individual produced by this painful psychological transformation was fundamentally different from the individual who had entered the cell at the beginning of his term. Returning to Grass (2000) and his outstanding writing on Dickens', "the individual in Dickens' hypothetical narrative emerges as a man intent upon 'heavenly companionship easily moved to tears; gentle, submissive and broken-spirited.". I agree with Grass that Dickens' has turned into a distinct man from a typical human being as the life in prison influenced him. Understanding the extent of damage Dickens attributed to the mere practice of constant surveillance helps to understand the level to which the constant surveillance of the public upon Dickens' daily activities in America might have influenced his opinion regarding American issues and American practices outside of the context of the prison. As has been mentioned, Dickens went to America partly with the idea in mind of examining the practice of slavery as it was practiced in the south with an eye toward emphasizing his abolitionist efforts. Here, too, critics have found fault with his lack of discussion of the issue during his tour. "Dickens was an abolitionist throughout his career. In his non-fictional writings, his outbursts on slavery are fairly unequivocal, and he is given to straightforward pleas in his letters: 'But I want to help the wretched Slave.' His relationship to slavery was, however, more complex than such remonstrations suggest" (Purchase, 2001). Although some have seen Dickens as a blatant racist because of his lack of appropriate outrage for the slave and his general failure to consider the black man as in any way equal to the white man, he nevertheless did contribute heavily to the anti-slavery movement. "In American Notes, he confesses to a fear that he will not be able to reveal any of slavery's horrors.., he fears that he will not be able to see beneath the 'disguises' in which slavery will surely be 'dressed' and.., he was not permitted to witness the slaves at their noontime meal or to inspect their cabins" (Claybaugh, 2006). Despite Dicken's consent about the idea of abolition, he proved remarkably unwilling to speak out against the institution, particularly as he traveled further south. While some suggest the reasons for this unwillingless are because he was concerned about having a negative effect of the critics against him, as had happened to earlier authors who had toured America, there remains some validity to the argument that this was also as a means of attempting to garner the support of the Southern landholders, many of whom depended upon slave labor for their wealth, in his fight regarding copyright infringement (Purchase, 2001). Lending some support to these accusations is the fact that Dickens changed his travel itinerary to avoid visiting the southern states shortly after having come into contact with real slaves. However, Claybaugh (Claybaugh, 2006) argues that Dickens changed his travel itinerary because the thought of the Southerner's inability to understand the atrocities they were committing was more than he could bear to witness. "Pausing in Washington DC, he balances his desire to witness plantation realities against 'the pain of living in the constant contemplation of slavery'. It is at this point that he alters his itinerary, and this alteration is thus presented as proof of Dickens' sensitivity. Where slave owners live with 'senses blunted' to the suffering around them, Dickens cannot even bear to see it" (Claybaugh, 2006). However, Dickens continued to be ambiguous in his stance regarding slavery for the remainder of his life, constantly working against slavery as an institution but never demonstrating any higher regard for the black man per se. "Dickens' reaction to the Morant Bay Rebellion (1865) in the former British slave colony of Jamaica, and his views on Harriet Beecher Stowe's slave novel Uncle Tom's Cabin (1852), are equally full of ambiguous and contradictory voices. As controversy mounted in Britain over whether or not Governor Eyre should be prosecuted for taking such bloody retribution as he did against the Jamaican rebels, Dickens famously joined Thomas Carlyle, John Ruskin, Alfred Lord Tennyson and Charles Kingsley in giving vocal support to Eyre's actions" (Purchase, 2001). Dickens' opinions on the matter, as expressed in his letter to W.W.F. de Cerjat, seem to indicate that his lack of sympathy for the American slave was born out of a sense of injustice being committed upon the British worker and a disgust for the Briton who would lament the state of the slave without doing anything to advance the needs of those closest to them. This is an idea that seems echoed to some extent in his fiction as well, such as in the character of Mrs. Dickens also criticizes Stowe for her defenses of the slaves, telling her "you go too far and seek to prove too much. The wrongs and atrocities of slavery are God knows! case enough. I doubt there being any warrant for making out the African race to be a great race" (Purchase, 2001) even as he praises her work in Uncle Tom's Cabin. These seemingly contradictory stances are rectified when one considers that while Dickens may have suffered from the same arrogant sense of superiority experienced by most Englishmen during this period, particularly when it came to the 'lesser' races of the uncivilized, he nevertheless felt that slavery was wrong. As a result of his writings and the messages seen between the lines, Dickens seems to have shared much of the world's general contempt and lack of respect for the equal humanity of the people of Africa. He accorded them with a much higher propensity for violence and a much lower potential for thought, compassion and understanding, yet he also seemed to feel that enslaving them because of these supposed racial flaws was morally wrong. "Moore, for example, makes the point that Dickens' racism peaked and then became less severe after the 1850s, in the period after the Indian Mutiny (1857) and despite aberrations such as his response to the Morant Bay Rebellion in Jamaica (1865)" (Purchase, 2001). In his defense regarding his silence on the topic of slavery, Dickens seems to have been aware that the abundance of literature available on the horrors of slavery were having little to no effect upon the people who needed to make the changes - primarily, the slave owners themselves. This was because they were already too familiar with the sights, sounds and smells of slavery and were unable to recognize its brutality despite the obvious nature of it or the more traditional arguments being brought against it. Only by defamiliarizing the cruelty of slavery would the Southern landholders be reached. This was done by reprinting the advertisements Southerners themselves had published, taken out of the context of a completely acceptable advertisement for the return of runaway slaves and emphasizing the brutality inherent in the ads as they were seen by the people of the North and the rest of the world. "And this tactic had its effect. Southern readers were shocked to see what their own newspapers looked like through unfamiliar eyes, as their indignant reviews of Dickens' book made clear. Reprinting proved to be the ultimate technique of defamiliarization" (Claybaugh, 2006). After Dickens returned home from his tour of America, he was so disillusioned with the nation that he ceased all his transatlantic efforts and re-focused his attention on local matters. "During these same years, Dickens also wrote his great novels of reform. But these novels tend to ridicule any attention to the world beyond the nation. ... It is through local attention that the nation as a whole will be remade (Claybaugh, 2006). Although he wrote of his American experiences in American Notes, Dickens real feelings regarding his trip to America are found in his first fictional novel following this visit. As America appears in Martin Chuzzlewit, the country is characterized in a completely negative light. "From the outset, the text visualizes America as a corporeal, aggressive but rather dirty country full of menacing individuals" (Purchase, 2001). Throughout Chuzzlewit as well as many of his other works, Dickens continues to allow the subject of slavery to dwindle into silence without actually addressing it to any real extent. An example of this can be seen in his treatment of the New York newspaper boys upon Martin's arrival in America. "In Martin Chuzzlewit, Dickens attacks the American press, for instance, without acknowledging what he well knew-that it was embedded in an importantly Anglo-American print culture. The first voices that Martin Chuzzlewit hears in the United States are those of newsboys, hawking the 'New York Sewer,' the 'New York Stabber,' the 'New York Family Spy,' the 'New York Private Listener,' the 'New York Peeper,' the 'New York Plunderer,' and the 'New York Keyhole Reporter.' The joke is clear. Dickens, who had been harassed by American newspapers at every turn, now accuses them of being intrusive, sensationalist, and rapacious" (Claybaugh, 2006). His disillusionment complete, Dickens spent the rest of his life focusing on more local efforts and leaving the transatlantic discourse for other writers to pursue. Through this examination, it has been shown that Dickens experienced a profound disillusionment with America as a result of their first-hand knowledge of the country's real practices and structures. The author almost immediate dislike of America was brought on not only by the inconsistencies in the society and inhumane practices at the prisons, but also by the uncouth manners of the public, the intrusiveness of their constant attentions and the harsh criticisms they expressed of himself. These observations are significant as it highlights how England, the mother country, continued to look down upon its upstart offspring, uncouth and still uncivilized in many ways while France, a nation still in the process of working out its political issues following its own revolution, evaluated the new country based upon its philosophical and theological grounds as a means of assessing what worked and what didn't. Works Cited Claybaugh, Amanda. Towards a new Transatlanticism: Dickens in the United States. New York, New York, (2006): 440-459. Craiutu, Aurelian. "Tocqueville's Paradoxical Moderation." Review of politics 67.4 (2005): 600-629. "Narrating the Cell: Dickens on the American Prisons." Journal of English and Germanic Philology 99.1 (2000): 50-70. Dickens, Charles. American notes. 1842. Project Gutenburg. 28 July, 2006. Dickens, Charles.Bleak House. 1852-1853. Project Gutenburg. 30 January, 2006. Dickens, Charles. Martin Chuzzlewit. 1844. Project Gutenburg. 27 April, 2006. Gannett, Robert T., Jr. "Tocqueville and Local Government: distinguishing Democracies Second Track." Review of Politics 67.4 (2005): 721-735. Grass, Sean C. "Narrating the Cell: Dickens on the American Prisons." Journal of English and Germanic Philology 99.1 (Jan. 2000): 50-70. McClendon, Michael Locke. "Tocqueville, Jansenism, and the Psychology of Freedom." American Journal of Political Science 50.30 (July 2006): 654-675. Purchase, Sean. "Speaking of them as a Body: Dickens, Slavery, and Martin Chuzzlewit." Critical Survey 18.1 (2001): 1-17. Smith, Brian and Sitman, Mathew. "The Rift in the Modern Mind: Tocqueville and Percy on the Rise of the Cartesian self." Heldref Publications 36.1(2007): 15-22. Tocqueville,Alexis.Democracy in America volumes 1 & 2. Henry Reeve. 1832 & 1840. Project Gutenberg. 21 Jan. 2006 and Read More