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Online Library - Essay Example

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The author of the following paper provides several book reviews. Namely, it is mentioned here, Andreadis’ work is a book review though her focus encompasses the female gender’s same-sex evident in Early Modern England pioneered by then reputable poets…
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Annotated Bibliography Worksheet Did you find your two sources by searching the South Online Library? Y/N (If not, go to the library and find other sources.) Yes. 2. Are both sources peer reviewed? Y/N (If you are not sure what this means read the mini lecture provided at the end of this worksheet). If the sources are not peer reviewed, go back to the library and find other sources). Yes. 3. What type of sources are they? (for example, a journal article paginated by volume, a book chapter, or an essay from an edited anthology like The Bedford Anthology). Keep in mind that only scholarly sources can be used for this assignment so avoid magazine and newspaper articles, blogs, book reviews, websites and so on. Source 1: A Journal Article Paginated By volume Source 2: A Book 4. Format the citations for your sources in APA style and annotate them in the space below. List them in alphabetical order. Don’t forget to use a hanging indent. Andreadis, H. (2006). Sappho in Early Modern England: Female Same-Sex Literary Erotics, 1550–1714. Archives of Sexual Behavior, 35(3), 375–377. DOI: 10.1007/s10508-006- 9030-x Andreadis’ work is a book review though her focus encompasses the female gender’s same-sex evident in Early Modern England pioneered by then reputable poets (Andreadis, 2006). This is via studying some of the then reputable scholars’ works, for instance, Katherine Philips, Aphra Behn, Margaret Cavendish, and Delarivier Manley (Andreadis, 2006). The writings act as windows meant to study the then women sexual interactions and objections waged by the society in retaliation, which Andreadis in this article tries to highlight. Andreadis in her review tries to trace the start of lesbianism in Early Modern England region pioneered by key poets of both the Mid 16Th and Mid 17Th periods (Andreadis, 2006). However, this norm during its inception did not experience acute rejection, but as time wore, the society and especially the male gender waged a strong campaign intending to end it abruptly. Conversely, the conduct did not cease but assumed a different cover by paving its way into the poetry. This offered women adequate platform to express their weird and lecherous feelings amongst them. The perverse act despite the then entire society terming it as transgression, it persisted due to some of the then women’s rich caste led by Sappho (Andreadis, 2006). The article will be essential in highlighting and supporting Sappho period’s women sexuality and the interactions that were evident in their society. Mainly, this encompasses lesbianism, which according to numerous studies produced by scholars seem to have attained scanty coverage. I do concur with the article’s content since it is a meticulous research evident from the author’s efforts to consult other numerous, varied and famous writings. This is a valid reference evident from its exhaustive consultation of famous writings meant to trace the inception of lesbianism during Early Modern England (Andreadis, 2006). A factor scantly highlighted by numerous sources trying to confirm that Sappho despite her immense contribution to poetry, she was the pioneer of lecherous same sex behavior (Andreadis, 2006). However, the Andreadis’ review necessitates extra consulting from numerous primary sources to support lesbianism argument, though, in this study, it will have accomplished its purpose. This is despite the society’s efforts to terminate it where instead the norm started featuring in their poems though tactically included. Karen R. (2011). [Review of the Book The Writings of an English Sappho, By Patricia Phillippy, ed. and Jaime Goodrich]. Karen’s review focuses on Elizabeth Cooke’s exemplary life full of challenging misfortunes, which revealed her prowess. This is evident from writings, epitaphs and monuments, which she erected bearing numerous writings on them for her beloved relatives and the husband. Thomas Hoby who her husband; passed on while in Paris leaving her pregnant and the burden of arranging his funeral (Karen, 2011). The excerpt’s core focus entails highlighting Elizabeth’s prowess especially her contribution both as a mother and as a wife figure. The latter is apparent from numerous love verses she authored concerning her marriage as a union comprising of one flesh with Thomas Hoby (Karen, 2011). Karen in her review she features Elizabeth as a dedicated woman in her family; evident the way she manages to arrange decent burials for her children and relatives. Consequently, Karen’s review reveals the incomparable female gender’s roles in England despite the then period’s men marginalizing them. Numerous scholars attribute Elizabeth’s exemplary undertakings to the immense classical education she received at her tender age (Karen, 2011). However, this argument is not true because her ardent desire to undertake all her activities as necessitated emanated from her an unequaled “sacrifice” as referred by Karen. For example, Elizabeth’s participation in her daughter’s wedding, which to date feature in Robert Peake’s work, “The Procession to Blackfriars” (Karen, 2011). The article will aid in supporting the argument of women’s contribution to the Early England’s poetry, despite presently the then period’s poets bearing trivial recognition. I do agree with Karen’s review whereby what she reports has a proof from other artistes works, for instance, Robert Peake’s painting (Karen, 2011). The source comprises of a well-researched content, which will be of essential assistance in depicting and supporting the contribution of women in early poetry. Its author and reviewer bear valid credentials whereby the latter is an intellectual from the University of Mississippi (Karen, 2011). Hence, augmenting its validity and authority as a reliable reference meant for backing women’s contribution in poetry despite now receiving trivial recognition among scholars. In addition, both the authors and the reviewer have authored numerous and credible works regarding poetry that have proved useful in research. In her review, Karen mentions other works Robert Peake’s painting that bears the proof of Elizabeth daughter’s wedding procession (Karen, 2011). References Karen R. (2011). [Review of the Book The Writings of an English Sappho, By Patricia Phillippy, ed. and Jaime Goodrich]. Andreadis, H. (2006). Sappho in Early Modern England: Female Same-Sex Literary Erotics, 1550–1714. Archives of Sexual Behavior, 35(3), 375–377. DOI: 10.1007/s10508-006- 9030-x Read More
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