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Morrison, however, perceives it rather uniquely that through the story of Beloved’s principal character, Sethe Suggs, she illustrates how the inevitable circumstances of nature bear the capacity of shaping a man’s well-being, paying insignificant attention to the impact of racial orientation in the process. The novelist’s neutral view of color in this regard is manifested via the attributes of Sethe who attempts to escape Sweet Home only to find herself capable of murder when she opts to kill her daughter, Beloved, rationalizing that it is less grave compared to handing her over to the cruel pursuers and being taken back to the site of plantation where she could not bear to imagine the ill fate awaiting her and her child.
Such is an ethical dilemma for a black woman like Sethe who applies her courage in fleeing to Ohio yet becomes short of understanding the essence of human life afterwards. In order to present to the critical readers her impartial perception of Sethe’s traits, Morrison incorporates the haunting of Beloved to encourage reflection upon the injustice which Sethe commits so that her non-ideal side apart from all righteousness is exposed as well. In reference to the role portrayed by Paul D. Garner, Morrison manages to introduce a black slave who becomes subject to severe challenge and piercing awareness of his manhood, independence, and dignity at stake under the mean control of Schoolteacher.
Despite this, Paul D is still found able to explore his own nature and behave according to the thought of satisfying his love and sexual urges for the opposite sex and in this manner, the author pays worth to the surviving quality in Paul D for he learns to acknowledge the painful reality and confronts it even at the expense of self-respect. He is the type who, given the broad experience of inhumane oppression, yields the ability to cope with his unbearable condition emotionally and psychologically so that no matter how much hurt comes his way, he can set himself free by considering to adjust and direct his senses toward the hope to be motivated by his passion and desire.
On the other hand, Morrison necessitates the presence of Amy Denver, a white slave who comes to the aid of Sethe as the latter gives birth at the border between the place of slavery and the free state. With her mode of characterization for Amy at this stage, Morrison demonstrates sufficient level of justice to the white counterpart in recognizing the goodness and not the color or ethnicity that identifies and labels Amy. Though Schoolteacher appears to be a white who deserves contempt for his brutish act of injustice against the black slaves, Morrison likely points out that that his ought not to be assumed for every other white person unless a hint of malice or flaw within intention is detected.
Apparently, it is totally different in Amy’s case for she, like the black servants, receives equivalent unfair treatment from her master which drives her to run away as a consequence. On reading, it turns out that no expression of hatred emerges in conveying the minor account of Amy, hence, this proves that the novelist seeks to be justified in the light of discerning what registers intrinsically instead
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