In this research "Explication of a Poem - The Road not Taken" author aims to make a detailed analysis of a poem, including rhyming, meaning and describing certain lines, paragraphs and title in particular…
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The Road not Taken is made up of four stanzas of five lines. The rhymes of the poem are masculine and strict, with the exception of the last line, “And that has made all the difference” (Sengupta & Ed 187). Four syllables that vary on an iambic tetrameter base are stressed per line. One of the unique features of the poem is its archetypal problem, one that is easy to remember since it is encountered several times, both figuratively and literally. Metaphor is one of the stylistic devices that the author largely applies in his work. Forks in the roads and paths in the woods represent decisions and crises in lifeline. For instance, identical forks represent the nexus of fate and free will. People have the opportunity to choose what interest them, but they usually have no idea about the things they are choosing between. The paths different people choose to follow thus depend on accretion of opportunity and choice, and it is difficult to separate the two.
This poem is authoritative, and it does not advice. There is no line in the poem that advices any reader to take forks when they come across them on the roads. The roads described in this poem are equally travelled, meaning that every decision made is a relevant choice. The narrator of the poem says, “Two roads diverged into a yellow wood and sorry I could not ravel both” (Sengupta & Ed 187). Yellow woods can be perceived to symbolize autumn, when leaves change color and begin to die. All the four stanzas of the poem show how the narrator had hard times deciding on which way he should take.
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He enrolled at Dartmouth College in 1982 later on at Harvard, which he dropped out from subsequently never earning a formal degree. Frost after leaving school drifted through a number of occupations, working as a cobbler teacher and later as editor of the Lawrence Sentinel.
Most of his works employed rural settings to examine complex social and philosophical issues. This essay analyses the setting, characters, imagery, sources of works and the similarity and differences in two of Frost’s poems, The Road not taken and Tuft of Flowers.
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