and Time Date "Dunyazad said to her sister, 'Tell us one of your lovely stories.' To which Shahrazad replied, 'With the greatest of pleasure. . . .'" No one knows the veritable significance of the art of storytelling better than the Shahrazad herself, as it cleverly saved her from the terrible fate of beheading…
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Similarly, Chaucer recognized the influence of the story telling techniques utilized in The Thousand and One Nights, and employed the art of ‘story within story,’ in an outstanding manner. In both of these texts the raconteurs utilize narration of mesmerizing fables to amaze audience with their appreciable ability to create unbelievably entertaining tales, manipulate the listeners to act in a certain beneficial manner, or to inspire addressees by creating awareness of new facets of human personality, and life in general. The stories, because of their amazing ability to resonate with mass audiences, and miraculous capacity to stay relevant eternally, has always and will continue to influence and educate mankind, and will facilitate both narrator and listener towards self-enlightenment, and realizing the greater inner wisdom. In an episode of The Merchant and the Genie, a demon agrees to momentarily spare the life of three travelers, provided that they narrate an interesting story. This behavioral pattern of abject inability to resist listening to a fascinating fable is observed throughout the other stories of both texts (Pinault, 9). Since the origination of first human, till today, man has always relied on stories to capture attention and to convey messages. From the ancient ‘stories of creation’ of the indigenous people, to the latest Harry Potter series, the tales have succeeded in shaping human’s thought process. The prophets have relied on stories to shepherd their flock to the righteousness, whereas, the Greeks have utilized stories to show their reverence for their Gods (Simmons 29). No matter, what is the language of the story, or the ethnicity of the characters, an engaging tale transcends all societal and traditional boundaries, and touches the hearts of the audiences throughout the world. The Nights, being a Middle Eastern collection, and causing a widespread impact on western literary culture, will be an appropriate example of this phenomenon. These tales, with their complex compound structures, have also succeeded in educating audiences and broadening their horizons. Instead of confusing listeners, these interwoven and layered tales, with their dramatic twists and turns, and thrilling plots, have enthralled listeners and have left them in awe. This elaborated technique of narration within another narration is known as ‘embedding,’ and usually serves the purpose of either introducing a new character, or augmenting an argument already being told in the primary layer of the narration (Marzolph 230). An appropriate example would be The Fisherman and the Genie, in which the fisherman validates his reasons for behaving in a certain manner, by narrating the story of Duban, in which a King further narrates a story and so on. From this structuring it can be deduced, that although narrators want to impress audiences with the creativity of the formation of these tales, they do acknowledge that listeners are smart enough to get engaged and follow the complex tale till the end. In addition to the layering techniques, in both of the texts, there has been a major use of ‘dramatic irony,’ which indicates unanticipated moments in which the reader is given a chance to have a glimpse inside the psychology of the characters (Koff 156). These are the instances where characters face inaptness between themselves and the setting, and are forced to take certain actions, which not only
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I have undertaken throughout the semester, related kinds of knowledge I have created a subsequently earned, related English thinking I have earned, the literary genres learnt and the required skills and abilities appropriate for future development in English as a contemporary modern course.
Both of these plays depict the life in ancient Greece, and among other themes, talk about the neglect and subjugation of females by their male counterparts, and their ingenious and aggressive defiance. Whether, it is Jason leaving Medea for another woman, or Lysistrata, being isolated because of the war, men expect women to quietly accept their fate, act only within the limitation of domestic activities, and have little or no social and political influences.
The Othello, an older black man, and Don Quixote, a middle aged spinster, were both men without a sense of place or roots, and they tried to create, in the form of a woman, whether real or make-believe, a feeling of belonging. However, the same romantic fascination blurred their hold on reality, and resulted in disastrous ends.
This novel is rich in showing us the actual symbols that are integral components of the human life. After all, there is great evidence that the author wanted to showcase the entire story to depict the actual walk of life by combining rich symbolism or imagery in the actual plot.
The narrator is critical of political subjugation, and of the people who contribute to oppressive regimes. Irony and understatement are used to reveal the condition of society, and the narrator ultimately chooses an optimistic view of the significance of life, despite her reflections on themes of war and oppression.
According to the author, the poem “Because I Could not Stop for Death” got published back in 1890. It belongs to those poems by Dickinson that focus on death and dying. While the topic seems quite sombre to explore, Dickinson loved to write about death. In this poem, death is portrayed in an image of a suitor.
She tells her stories in a queer way that culminates to give an unusual atmosphere. The reasons for cherishing such stories are not highlighted giving a sense of mystery. Close relations between Mrs. Oke and her past is, therefore, evident, and it’s
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