Road Not Taken and A Clean, Well-Lighted Place - Essay Example

A reader is initially taken to a trance of imagining ‘two roads diverged in a yellow wood’ such that the effect of the first line being preceded by the title invites one to adapt to the common sensibility of comparing and contrasting between two of life’s ultimate choices. Whether right or wrong, however, the poet clearly indicates the necessity to eliminate ambiguity or half-heartedness on stating ‘And sorry I could not travel both.’ ‘And be one traveler, long I stood’ marks a position that suggests freedom of thought in which the traveler can opt to liberate either inspiration or unpleasant sentiments at wondering how it would be like having each road to cover, given equally opportune possibilities.

Here, Frost attempts to hint at certain wonders where one road allows the person in journey to delight in psychologically concretizing every form of goodness, as in acquiring material desires for real, on perceiving truth loom from noble ambitions, or with remarkable pleasures. The poet evidently speaks in the first person basis on delivering how the role of the traverler must be understood to the reader in the light of examining the soundness of choice. ‘A Clean, Well-Lighted Place’, on the other hand, exhibits the writer’s preference to convey the external notion of the old man through the judgments weaved in the conversations between the two waiters.

It seems that the old man’s frequent visits to the cafe constitutes the story’s subject.. Whether right or wrong, however, the poet clearly indicates the necessity to eliminate ambiguity or half-heartedness on stating ‘And sorry I could not travel both.’ ‘And be one traveler, long I stood’ marks a position that suggests freedom of thought in which the traveler can opt to liberate either inspiration or unpleasant sentiments at wondering how it would be like having each road to cover, given equally opportune possibilities.

Here, Frost attempts to hint at certain wonders where one road allows the person in journey to delight in psychologically concretizing every form of goodness, as in acquiring material desires for real, on perceiving truth loom from noble ambitions, or with remarkable pleasures that actual love and comfortable living could hold out. The poet evidently speaks in the first person basis on delivering how the role of the traverler must be understood to the reader in the light of examining the soundness of choice.

‘A Clean, Well-Lighted Place’, on the other hand, exhibits the writer’s preference to convey the external notion of the old man through the judgments weaved in the conversations between the two waiters. It seems that the old man’s frequent visits to the cafe constitutes the story’s subject of explaining the grounds of such act toward the latter portion. A reader’s knowledge of this person is confined to the brief accounts detailed in lines like “Last week he tried to commit suicide”, “He was in despair”, and that “He has plenty of money.

” Altogether, the exchange of dialogues serves a crucial function of positioning the old man’s character even if he is an entity that does not directly