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https://studentshare.org/literature/1430232-which-you-are-familiar-and-then-write-a-one-page.
I particularly choose it though to remind me of the old traditions which used to make immensely happy childhood days for everyone in my family in which not one seemed to struggle with hearty laughter and joy was just around the corner to light up a spot of gloom. Knowing each other and how we became bound to the place with deepening acquaintance to the perception of it from which one could develop forms of solace or comfort zone unique to us, I think I had unconsciously established connections that to this extent would find no way of breaking off with the character I have come to be.
Perhaps that is to claim that the Pittsburgh I am pertaining to is the one that makes me look into myself every so often that there emerges a quantity of peculiar things I could not help holding on to. They turn out to be a bunch of noteworthy incidences of tender years which either filled my special childhood moments with dreams or anxiety on grounds that suppressed those early hopes. With Pittsburgh, I have been drawn to acquire a constant sense of self-awareness which allows me to relate the present outcomes of adulthood to at least majority of the events that transpired in the past, discerning fully how they had altogether formed most of my values that highly constitute the nature of my identity.
To me, our region at Pittsburgh could define culture and society and this definition manifests in people in terms of approach to life, concrete and abstract preferences, way of thinking, as well as the general mode of communication and individual response to a particular action or stimuli. The community has so far maintained appreciation of country music or ballads that normally depict how folk and surroundings alike are perceived as significant reason for living despite a not-so-good economy.
Maybe it is this conventional attachment to classic songs of romance and sensibility that have made me relish songs of old music genres more than the alternatives of modern-day rhythm. In fact, I can hardly find myself in the mood of grooving with the current tunes, as if there is inexplicably something phenomenal with the old ballads I used to know that would not afford to deflect the way I get engrossed at sound-tripping with them based on in-depth familiarity and overall relevance of their lyrical substance.
Pittsburgh, as a whole, is a place inside myself I suppose. It appears to create a well-being out of which respect and love of solid origins spring and can never be snatched away readily under good foundations unless one decides to evolve with strangeness beyond such dimension. In a way, I have come to possess a frame of reference distinct from most others in the process of experiential learning and absorbing the original sentiments of the place which effortlessly flowed and blended with mine.
Eventually, the spontaneous attraction between me and Pittsburgh has unusually structured the wholeness of my identity on a gradual basis, feeling at home with every aspect of living in this place. Because it means so much to me to understand how Pittsburgh localizes the essence of nativity at least to me as its inhabitant, I have become capable of developing a set of perspectives which I can consider solely my own. My imagination of the world in the future along with my concept of what I desire to be or to obtain from it makes a picture of ‘Utopia’ and philosophy which I am afraid I would rather keep to myself than divulge to some else’
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