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Los Angeles represents one of the most fertile grounds for literature and art, with a plethora of styles and works emerging from the city. One of the major such Los Angeles developments is noir. …
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Download file to see previous pages Dre, Snoop Doggy Dog, and Tu Pac Shakur. It’s recognized that these elements present at times drastically different formulations of Los Angeles, yet these differences, notably socio-economic concerns, and means of expression, will be considered as they are demonstrate different elements of Los Angeles culture. While these different elements exist, it’s also recognized that there are many similarities between the two styles. The most prevalent such similarity being these style’s mutual exploration of death and dark elements of society and culture in creating an engaging and provocative narrative. Annotated Bibliography Hamilton, Denise (2007). Los Angeles Noir. California: Akashic Books. This text contains a selection of Los Angeles Noir stories. Importantly it contains the primary noir text – Muhlholland Drive – that is examined in this essay. Pacino, Black. (2011) ‘Gangster Rap History 101’ The Spizzy. This site contains a comprehensive history of gangster rap. It also demonstrates a thorough understanding of its stylistic dimensions. Springhall, John (1999). Youth, Popular Culture and Moral Panics: Penny Gaffs to Gangsta Rap. New York: Palgrave Macmillan. This text presents a sociological investigation of a variety of youth cultural elements in the 1990s. One of the most notable investigations is its consideration of the gangsta rap phenomenon in the early 1990s. In these regards, it provides valuable historical and stylistic elements. Ulin, David. (2002). Writing Los Angeles. Library of America. Similar to Los Angeles Noir, this text is a collection of noir fiction writing. It contains valuable information related to Los Angeles style and artistic development, most particularly noir fiction. Style Essay Los Angeles represents one of the most fertile grounds for literature and art, with a plethora of styles and works emerging from the city. One of the major such Los Angeles developments is noir. Michael Connelly’s ‘Mulholland Drive’ presents an engaging, yet characteristic presentation of Los Angeles noir. Southern California is also credited with developing the music style gangster rap. While these styles are seemingly diametrically opposed, it’s clear upon deeper investigation that there are a number of similar elements. This essay compares and contrasts the stylistic tendencies Los Angeles’ noir and gangster rap share. One of the primary elements of the story is its concern with typical noir themes of death and murder. Perhaps the most characteristic element of noir fiction and film is its implementation of a murder plot as a primary element of the narrative. In ‘Mulholland Drive’ it’s clear that this is a characteristic element of the story. Early in the story, Connelly establishes this narrative element, stating, “Clewiston had worked Mulholland fatals several times. He was the expert. He was the one they called in from home. He knew that whether the identity of the victim in this case demanded it or not, he’d of gotten the call” (pg. 21). Here the reader learns that the primary element of the story is going to be an investigation into the murder that occurred, and that the primary character description of the protagonist is their acuity with murder investigations or ‘fatals’. It’s also worth noting in this description that Connelly implements a gritty and true-to-life form of imagery and characterization. In these regards, one might argue that the text glamorizes its authenticity or understanding of police culture and human motivation. The text embodies noir elements in its idealized portrayal of the environment and the characters involved in the story. As the narrative occurs in Los Angeles, it already contains an ...Download file to see next pagesRead More
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