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With its plot having been set to develop in South Africa, particularly in Johannesburg’s Alexandra slum, the film presents Tsotsi, a youthful street urchin as the protagonist. Having often times resorted to stealing as a means to earning a living, Tsotsi one day steals a car, not knowing that a baby is in its backseat. The Theme of the Film There are several themes in this film. First and foremost, there is the theme of redemption which begins to play out immediately Tsotsi is stranded with the baby he had inadvertently stolen. The theme of poverty and criminality and the interrelationship between these two is also revisited in the movie, since Tsotsi is pushed into a life of crime because of poverty. The same poverty constrains Tsotsi from being a law abiding citizen, and makes him a brutal criminal instead, though he knows that robbery in itself is wrong. Likewise, Tsotsi’s friends- Butcher, Aap and Boston have been compelled to live in the streets and to dabble with crime by poverty. The existence of street gangs is also spurred on by poverty. At an instance, Butcher and Aap are almost shifting their loyalty from Tsotsi’s gang to a richer rival. ...
Particularly, at a given point, Tsotsi attempts to raise money for Boston’s exams, albeit this is done through robbery. Conversely, the same concept of fatherhood plays out subtly in the film’s climax, and thereby shaping its conclusion. As Tsotsi hands over the child to Pumla’s husband John, John plays a fatherly role to Tsotsi by attempting to dissuade the police from shooting Tsotsi. Whether the Film Conveys Any Messages That Will Make A Difference In Americans’ Ordinary Life The film conveys messages that can change American lifestyles for the better. This is because the movie addresses themes such as fatherhood, poverty, criminality and redemption. By considering fatherhood in light of this film, American parents must take stock of their roles towards their children. Likewise, by considering poverty and criminality, America has a chance to address the disproportionate distribution of economic values among racial and class lines, and racial profiling. The theme of redemption on the other hand reminds every American citizen of his personal responsibility towards the law and the state. The outlaw is reminded in his conscience that no matter how far he thinks he may have sunk in crime, he can still change for the better. Nevertheless, the problem with America is that instead of taking the film’s themes into its life system, it is likely to pass Tsotsi as just another literary piece that lacks the clearest quality of originality. This is because, in Tsotsi, Americans are likely to see a sequel of Tony Montana of Al Pacino. America has also watched similar movies such as Raoul Walsh’s Regeneration, where an orphan becomes a leader of a gang, but is eventually succored by a woman of noble intent and
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The auditor’s role is to give an unbiased opinion on the company’s consolidated financial statements based on their own audits. The audits were conducted in accordance with the generally accepted Canadian auditing standards. They had to comply with ethical requirements in order to make sure that the prepared financial statements are free from any material misstatement.
Body Statement I: A crime has the power to hurt its victims, offenders, as well as the community which require a variety of justice needs, and which can be met with the help of restorative justice, thereby reducing crime rates in the future. Body Statement II: Revenge is what an individual cultivates in the form of anger and hatred in his soul, that his consciousness is overcome by the inner demon; Justice’ is the “act of ‘setting things right’ and the ‘restoration of social equilibrium’, which is equivalent to 'forgiveness'.
Movies present the society with an avenue for addressing socioeconomic and political concerns, with the main intention of fostering emancipation and equity. This is because most movies are adaptations of novels. Novels, on the other hand, are not written from a vacuum, but from the prevailing socioeconomic and political realities that characterize human societies.
Unquestionably, documentaries have also been made to establish veracities about Africa’s sociopolitical concerns. Many movies have become noteworthy in presenting landscapes and scenic backdrops. Some of them have also captured the varied social relationships.
ng point in Tsotsi’s life comes when in a car-jacking incident, he unknowingly kidnaps a baby in the car’s backseat, and things suddenly become topsy-turvy, and everything is never the same again.
Some issues affecting the character in the micro-level are homelessness, lack
According to the paper novels are not written from a vacuum, but from the prevailing socioeconomic and political realities that characterize human societies. This reality shall be divulged upon, in light of movies such as Volver, A Separation, The White Ribbon, Tsotsi, Departures, Animal Kingdom and The Secret in their Eyes.
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