Science Fiction Monster Theory - Annotated Bibliography Example

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The writer of the essay makes an attempt to review several resources that consider the monster theory in science fiction. This annotated bibliography includes Paul Alkon's "Science Fiction Before 1900: Imagination Discovers Technology." and other sources that will help to make a research on current topic…
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Download file to see previous pages Alkon, Paul. Science Fiction Before 1900: Imagination Discovers Technology. New York, NY: Twayne Publishers, 1994. Print.
This source is a summary of the works and scholarships of pre-twentieth century science fiction. The first chapter covers some topics covered in modern science fiction and rest of the three chapters covers the masterpieces of nineteenth-century science fiction. He approaches these topics in the form of reference works, historical and theoretical studies, anthologies, and studies of individual writers and works. Over all though the author, Paul Alkon’s, bias in favor of post-modern science fiction is apparent, he does a good job of presenting information over persuasion. Due to this fact based approach, this source would be exceedingly useful in the research of where science fiction has originated.
Bloom, Abigail B. The Literary Monster on Film: Five Nineteenth Century British Novels and Their Cinematic Adaptations. Jefferson, NC: McFarland & Company, Inc., 2010. 9-42. Print.
This source analyzes: Shelley's Frankenstein, Stoker's Dracula, H. Rider Haggard's She, Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Wells's, The Island of Dr. Moreau, in comparison with the twentieth century film adaptation of the works. She mainly points to the notion that the novels were intimately connected with the protagonist and would point to the personal failings of the character and the failings of the society as a whole. Where as, in the movie adaptations, the characters are seen as arbitrary monsters meant to strike meaningless fear and violence on society. The first chapter in particular focuses on the post-modern adaptations and the purpose the authors had in writing them. The author, Abigail Bloom, intends to persuade her audience to this notion using a logical fact based approach. This source would prove useful in the research of the meanings presented post-modern science fiction in comparison with the purpose of the modern film adaptations. Botting, Fred. Making Monstrous: Frankenstein Criticism Theory. Manchester, UK: Manchester University Press, 1991. Print. This is a critical reading of “Frankenstein”. The author of this work, Fred Botting, attempts to demonstrate the author of Frankenstein, Mary Godwin’s, intentions and literary antecedents. He also shows the complexities of the novel itself and why it was necessary to demonstrate the flaws presented by popular culture through a “hideous progeny”. This book is organized into four sections: the introduction, a critical section, a theoretical section, and the conclusion which deals with the penetration of the legend of Frankenstein into modern literature and life. In these sections the different ways Frankenstein’s character can be seen mirroring, duplicating, overlapping, superseding, and overtaking each other can be seen. This would be a great source in the research of the literary elements and creation that went into post-modern science fiction, particularly Frankenstein. Cohen, Jeffrey J., Ed. Monster Theory: Reading Culture. Minneapolis, MN: The University of Minnesota Press, 1996. 3-25. Print. This book explores the concepts of monsters in western civilization literature and films, from Beowulf to Jurassic Park. It shows how critical theorist sometimes study the use of monsters in literature and films in order to examine what the culture of the time may have been trying to express. Chapter 1 in particular covers the, “new modus legendi: a method of reading cultures from the monsters they endanger” (3). This source takes on a fact base approach but the author’s intent is to persuade the reader to the theory stated. This would be a useful source in researching how culture creates the monsters in literature and films. Graham, Elaine L. Representations of the Post/Human: Monsters, Aliens and Others in Popular Culture. New Brunswick, NJ: Rutgers University Press, 2002. Print. The author, Elaine Graham, uses this book to discuss what it is to be human. She approaches this topic by exploring ...Download file to see next pagesRead More
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