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The pieces of art portray the intersection between the cultural history of the artists and the immediate societies, the respective histories, medium, as well as the specific geographical locations.
The Ajanta art, for instance, portrays the Indian culture before 1200. This art was started in the 2nd century B.C. It was nevertheless given up in by the 7th century A.D. This art is a product of its context considering that pieces of art, in this case, have been considered the finest instances of Indian art based the Buddhist religious art. Buddhism as a religion was a very important part of the Indian culture during that time. It was thus essential for the religion and its values to be presented in a visual way (Kleiner 433). In light of the religious importance, the art shows figures of Buddha as well as a depiction of the Jataka tales. Using carvings was particularly a great way of ensuring that the message portrayed could last for a very long time and be passed from one generation to another. A useful example of the Ajanta art is painting of Padmapani as shown in fig.1.
Another example of art is the Fresco Painting from the Romanesque Europe created during the early Medieval Europe. The method used to produce this art was mural painting, which involved the use wet lime plaster. Water was used for the pigment in merging with the plaster. Upon setting the plaster, the painting was then integrated to the wall. This type of art is attributed to the later Byzantine period (Kleiner 409). It depicts a lot regarding the mobility of techniques and styles of art. A good example is the Chora Monastery restoration and decoration, which depicts the Byzantine artists’ great skills and versatility. The context in which the art was created was religious since a cycle of Life of the Virgin as well as Christ’s Infancy and Ministry of are shown. These religious incidences
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Over the past 200 years, art history has recorded a large number of artistic movements, some of great scale, others less important; however, they all turned out to either continue or oppose one another, hence being, without doubt, strongly interconnected.
In the city where the famous Basilica of San Vitale and the Basilica of Sant'Apollinare Nuovo is located, vestiges of Byzantine art and architecture can clearly be observed, reflecting the specific socio-cultural and historical contexts of the period when these structures were built (Fletcher and Cruickshank 282-320).
This leads to classical civilizations in Greece, Etruscans and Rome (509 BC-337 AD). Then came Medieval to early Renaissance Art which last from 400 ADD to 1400 AD, and included Early Christian Art, Byzantine, Islamic, Migratory, Carolingian, Ottonian, Romanesque and Gothic types of art.
The Marble Statue of a Kouros (youth) belongs to the Greek, Attic, Archaic, ca. 590-580 B.C. by the Fletcher Fund, 1932 (32.11.1). It has a size of H. without plinth 76 5/8 in. (194.6 cm); H. of head 12 in. (30.5 cm); length of face 8 7/8 in. (22.6 cm); shoulder width 20 5/16 in.
imilarities between Mannerism and Rococo is that both had asymmetric features about their art works, unlike the unity and symmetry found in the Renaissance art. Mannerism was not “balanced and harmonious” like the Renaissance art (“Art History: Mannerism: (1520 - 1600)”,
The details of the portrait are urban based which involve a young he- body builder holding a lollipop from his hip through his crotch area, a naked woman touching her breast and a framed cover of a comic. This painting is characteristic of
In the context of this essay, the Chinese are seen to have been the influenced by the change taking place in the world of art and expression. This is with reference to the political oppression and governance that the country existed in up to date. The regime in China was authoritarian bordering on the dictatorial, which meant that most avenues for expression were restricted or non-existent
Historically the mina'i earthenware production outlines stories from the Persian epic, the Shahnama, originating before its most punctual surviving represented compositions by about a century. This bowl is H. 3 7/16 in. (8.7 cm) D: 8 11/16 in. (22.1 cm) Diam. 8 11/16 in. (22.1 cm).
Iconography is a term in visual arts that refer to use of imagery in a piece of artwork, or identification, classification, description, and the interpretation of symbols and images used in a piece of artwork. Fresco is a wall painting done on freshly laid lime plaster. Painters use fresh plaster for the colors to stick well resulting in glowing colors.
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