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ilm Gandhi, which belongs to the genre of epic biography, portrays the life history of Gandhi on one side and analyses the Indian independence movement and the related complex confluence of imperialism, nationalism, and decolonization on another side, because different methods adopted by Gandhi, like non-violent struggle, civil disobedience movement, the Salt March etc, eventually helped India to be free from the British rule.
This research study is broadly divided as: Film as an epic biography: Gandhi’s life history, Analysis: Gandhi’s influence on Indian independence movement, Gandhi’s methods and Indian independence movement, and personal opinion.
One can see that epic biography as a movie genre deals with life histories of historically significant individuals. Within this scenario, the film Gandhi primarily deals with the life history of Gandhi in general. To be specific, the opening scene (say, Gandhi’s death) proves that the director’s aim is to make use of flashback technique to narrate Gandhi’s life history. Martha NUSSBAUM stated that, “Mohandas K. Gandhi has been the subject of such vast discussion and such widespread veneration that even readers with little knowledge of Indian history are likely to have a reasonably accurate picture of him-especially if they have seen Richard Attenborough’s excellent 1982 film, in which Ben Kingsley successfully conveyed many aspects of Gandhi’s complex personality” (94). But the director does not try to unearth Gandhi’s earlier life because it is less significant within this context. Besides, the director portrays Gandhi’s political activism in South Africa. When Gandhi reached South Africa as a lawyer, the nation was under British imperialism. To be specific, some Indian merchants residing in South Africa asked Gandhi to help them to save them from discriminatory laws implemented by the government. When he reached South Africa, he realized that the Indian merchants are facing marginalization
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