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Reading - Assignment Example

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Chave in his histography brings out several critics and artists, some of this includes Gitto a painter, Ander Breton a famous poet, Leo Steinberg, Baudelaire, Christine Poggi and Lisa Saltzman among other critiques. The author then creates an interesting read with the objective…
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Download file to see previous pages He argues that the masks allow the women behind them express themselves without fearing the loss of their own dignity.
The author interprets demoiselle’s African masks differently from other critics. He views them as offensive and at the same time attractive, the attraction is not because of the pictorial effect, but for the clients that source the service of these pictured women.  Cave however, dispute the notion that the unmasked faces of the three figures on the left side of the picture are not “syphilitic monsters” this is because African masks are viewed as repellents. Those masked he views them as ridden with plaque while the unmasked as very healthy.
Over the last decade the Les Demoiselles has been stated to evoke fearsome and awful “prototypical” reactions amongst men that view and experience its nature. This is due to its design of cubism and caricature.
Walter Benjamin observes that the emergence of prostitution is a modern phenomenon expressed trough Picasso painting. And with this modernity prostitution and the trade of sex increase. The sex he says has been commoditized in utter disregard to the very important tenets of love.
The disjunctive state of the Les Demoiselles made it receive less consideration for public display. This disjunctive state left historians debating on whether the art was actually finished or not. The author of this article uses previous critiques to bring the issues of race and class, citing that race and class differentiate the art by le demoiselles and Olympus.
Chave then explains that the flattening of pictorial space is but a modernist phenomenal. Clements on the other hand, sees it as a result of the consolidation of the means of unique art. Under Steinberg eye, viewing Picasso’s Les Demoiselles, he sees the interior space of the art in compression, like the inside of compressed bellows. He describes the feeling as one of an inhabited pocket heated by a contracting ...Download file to see next pagesRead More
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