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Indian Culture - Essay Example

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The paper "Indian Culture" compares and contrasts several objects of the Indian societal integration. The culture that made them adopts a common religion, which they worship through symbolic representations. The relationships are quite fundamental for the coexistence of the cultural setting…
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Indian Culture
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 Indian Culture
1. Comparison and contrast of the objects
The first object shows the Seated Buddha on the Lion Throne Mathurā Region, India Kushan Dynasty, ca. 124 CE while the second picture shows Indra and Sūrya Vihara, Bhaja, India Shunga Dynasty, ca. mid 2nd c. BCE. The picture showing Buddha seated on the throne is a sculpture well curved using a red sand stone while the second object is a pigmented relief sculpture made from a volcanic stone. The evident contrast of the two objects is that they are constructed from two different stones hence differ in quality. The other similarity is that the two objects are a representation of culture. Both the first objects are an animation of the human race in the traditional leadership.
The second set of objects represents Four-ram Fangzun Royal Tomb Hunan, China Shang Dynasty, late 2nd millennium BCE and the Reliquary Buddhist Stupa Bimaran, Afghanistan (Ancient India) Kushan Dynasty, early 3rd c. CE. While the previous one is made of Piece-mold Cast Bronze the latter is from Hammered Gold and semi-precious stones. They therefore differ in terms of texture due to the material used. The two objects are both symbolic hence are animated. The third object is a Buddha inscribed in a contrasting background, it is as well sculpted from Chunar sandstone and it is a symbolic representation of the worship culture of the Indians. The fourth and last set of objects is the inlaid mirror from a Lineage Tomb while the other is a bowl from Banpo, near Xian in china. While the mirror is a Piece-mold cast bronze with hammered gold and silver, the latter is painted with red earthenware. The objects are both from china and they are symbolic of the East culture specifically India and China.
2. Relationship based on the comparison and contrast above
There is a common relationship that exist and is fueled further by the cultural similarities of the area where the objects are picked from which is India. The Indian culture is that which is integrated with mixed cultural symbols that extend to their places of worship and their gods. In fact, the Sun Dynasty or Solar Dynasty (Sūrya-vaṃśa) is one of the most prominent dynasties in the whole of the Middle East historically. The dynasties influenced the political makeup of a region. The Buddha seated on the lion throne originates from India from the collections of the Buddhism Sculptures and carvings. The objects influence the sociological set up by being a representation of the Buddhist religion. The objects are artistic pieces of work that are curved with style showing a sense of appeal, which is achieved using technical skills (Sullivan 96-9). Therefore, the objects represent any of the mentioned above aspects if not in one way then the other and this results into the existing relationship.
3. Significance of these relationships
The relationships are quite fundamental for the coexistence of the cultural setting based on the aspects of the Indian societal integration. The culture that made them adopts a common religion, which they worship through symbolic representations (Sullivan 76). The Chinese culture encourages counterfeiting which is not the case in India which sculpts their objects as shown.
Works Cited
Sullivan, Michael. Arts of China. California: University of California Press, 1984. Print. Read More
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