Art History: Stele of Naram-Sin - Essay Example

The statue’s influence continued for a thousand years later. In 1157 B. C., Mesopotamia was invaded by the Elamites from South Western Iran, and they seized and installed it in the city of Susa. Later, the city’s monument was captured and restored to its former glory when they triumphed over their enemies. Greek paintings, architecture, sculptures and other works of art are easily recognizable as the symbols of Western civilization. Western civilization is carefully constructed in the ideologies of the Greek and Romans such as democracy and power.

The Zeus” 460-450 B.C, Bronze statue is nearly seven feet tall and shows Zeus a thunderbolt in one structure (Irvine 275). The sculptor demonstrates and contrasts the stability of action. This artwork resulted from an absolute magnificence expressing God’s awe. The structure is made of Bronze and this means that it is firm and extends its arms without support. Hercle (Herakles) and Apulu (Apollo) from the roof of a temple” (Veii 510-500 BC) is probably one of the most renowned temples in Rome, and it was devoted to the Etruscan gods; Menvra, Aritimi, and Turan.

The statue represents the competition of Hercle (Hercules) and Apulu (Apollo) for the female deer in the presence of other gods. Herakles was a demigod who killed his family in rage. In the sculpture, he must capture the golden deer that is sacred to Artemus (Irvine 287). Apollo (Apollo) is one at the rooftop of a temple and both structures are used to celebrate the Latin culture. Christ, Monastery of St. Catherine (Mount Sinai Egypt) was made in the last stages of the 6th century: November 7th 263 to be precise.

The detached Sinai desert of Sinai aided the survival of numerous monuments. One of them was an icon dated in the 6th century and later repainted for its magnificence, color, and brightness. This work of art creates a link between the physical and spiritual worlds as demonstrated in the early Byzantine art (Irvine 298). The glow of the halo makes the walls back away into the backgrounds and this makes it appear as if they are creating some space for the image of Christ. The shading on the face and neck are the remains of the Roman portraiture.

In addition, the combination of a steadfast gaze establishes direct contact with the viewer. Gero Crucifix, ca 970 Painted and Gilded Wood is part of the early medieval art that best describes works of art after the fall of the Roman Empire. The appeal of Christianity for both its structure and spiritual message enforced on a disconnected society in times of disorder proved significant.