Nobody downloaded yet

Analyze color developments in 17th-century Flemish and French tapestry, focusing on Rubens, Jacob Jordaens, Simon Vouet and Mich - Research Paper Example

Comments (0) Cite this document
History and Political Science Name: Topic: Institution: Date: Analyse colour developments in the 17th Century Flemish and French tapestry. Flemish Baroque painting is regarded as a form of art that was produced in Southern Netherlands in the 16th to the 17th Century during the Spanish control…
Download full paperFile format: .doc, available for editing
GRAB THE BEST PAPER97.4% of users find it useful
Analyze color developments in 17th-century Flemish and French tapestry, focusing on Rubens, Jacob Jordaens, Simon Vouet and Mich
Read TextPreview

Extract of sample
"Analyze color developments in 17th-century Flemish and French tapestry, focusing on Rubens, Jacob Jordaens, Simon Vouet and Mich"

Download file to see previous pages There has been an extensive list of tapestries as well as tapestry workers with all the precisions and details that are required with regards to the subjects (Delmarcel, 1999). During the late 16th Century the Flemish painting was very much influenced by the Italian Renaissance. Most of the Flemish painters were influenced by this and thus there emerged the adoption of the Italian baroque in the French baroque in the 17th Century. The Flemish baroque flourished especially through the hands of great painters such as Rubens and Jacob Jordaens. Most of the tapestry which were mainly expressed the same way as paintings took the centre stage in this era. Tapestry is referred to as a type of work that involves coloured threads that are intertwined on lines that are stretched horizontally or vertically to form a substance, a web and also produce a combination of lines as well as tones that are similar to those derived from a painter with his brush. Woven tapestry is regarded as one of the best forms of art expression that is known in the world. In the Middle Ages period tapestries were known to have a utilitarian function (Delmarcel, 1999). The main aim for their development was to be able to protect the medieval rooms against cold weather and damp, to insulate big rooms so that they could be comfortable quarters or to cover the austere walls of the big castles. Tapestry with regards to France is one of those traditions that have made a great contribution towards the beauty of the French heritage. In the 17th Century tapestry in France led to the formation of the Gobelins factory during the reign of King Louis the fourteenth. The factory which was based in Paris employed up to about 800 artisans who were majoring in the production of tapestries meant for the royal courts. Tapestry weaving has been established over the years among various cultures. The ancient Incas and the Egyptians buried the dead using tapestry woven clothing. The civic buildings of the Greeks had their walls covered in tapestry too. However, it is the French based medieval weaver who brought up the craft (Harris, 2005). The medieval weavers were able to extract their dyes from insects and plants within a range of close to twenty colours. For instance red colour originated from madder, pomegranates or poppies and blue was produced by woad. The medieval weaver based their work on sketches that they used from their imagination as well as humour. With regards to the Flemish and French tapestry the focus of this paper is going to analyse the colour development in the 17th Century with focus on Jacob Jordaens, Rubens, Michel Corneille as well as Simon Vouet. It is goes with no doubt that the history of past art was reliant on the use of colour. We are only left to imagine and picture the extraordinary concept that was adapted by the renaissance and mediaeval palaces and churches with the use of the tapestries and wall paintings (Harris, 2005). History of colour in the Flemish and French tapestry among other forms of art is partial due to the fact that a lot of the artwork and the colour in the art has survived or perished but only in a changed form. Colour in art is regarded to as an element of art which is produced when there is presence of a light striking on an object and then it is reflected back to the eyes. There are three aspects of colour that were used to describe the French tapestry which were designed in the 17th Centur ...Download file to see next pagesRead More
Cite this document
  • APA
  • MLA
(“Analyze color developments in 17th-century Flemish and French Research Paper”, n.d.)
Analyze color developments in 17th-century Flemish and French Research Paper. Retrieved from
(Analyze Color Developments in 17th-Century Flemish and French Research Paper)
Analyze Color Developments in 17th-Century Flemish and French Research Paper.
“Analyze Color Developments in 17th-Century Flemish and French Research Paper”, n.d.
  • Cited: 0 times
Comments (0)
Click to create a comment or rate a document
Church Reformation in the 16th and 17th century
Calvin John, King Luther and other earlier Christians initiated the Protestant reformation. The second wave of the reformation, which became more popular, is the Anabaptists, who are the protestant Christians. Although some scholars consider Anabaptists as a distinctive movement from Protestantism, it created radical reformation in 16th century in Europe1 (Renwick 143).
8 Pages(2000 words)Research Paper
The prime objective of the policy to lessen the prices of the products relating to international trade is to enhance the demand of the products in the overseas markets of the US. Moreover, the policy intends to provide the benefit of availing different foreign products at cheaper prices to the US customers by diminishing the product prices in the US foreign business markets.
3 Pages(750 words)Research Paper
Puritan Settlement in New England in the 17th Century
The Puritans have been both honored and vilified for the creation of American culture, politics, and society over nearly four centuries, although it has been debated as to extent that this may be true, and whether we in fact understand Puritanism accurately today (cf.
7 Pages(1750 words)Research Paper
Othello: Shakespeares Radical Depiction of Race in the 17th Century
In the modern setting, racism is still a very sensitive topic that everyone tries to avoid because of the complexities that it may convey. Consequently, creating unconventional characters such as a protagonist who is black, noble and respectable and carries a high rank in the army, and an antagonist who is white and evil, is something that is totally outrageous when Shakespeare first brought ‘Othello’ to his 17th century European audience.
5 Pages(1250 words)Research Paper
Peter Paul Rubens (Flemish, 1577-1640)
Born in 1577, there is more to this master of painting than just his excellence in artwork and painting. In addition to his remarkable works of art, Peter Paul Rubens was also a linguist, who was fluent in several languages such as French, Italian, English, Dutch and German (Logan, Peter and Michiel, 21).
6 Pages(1500 words)Research Paper
Perspective on the significance of the marea court case in understanding some aspect of the larger world of 17th century Massac
One need look no further than our own past 19th century in order to see many instances in which racial prejudice decided a case long before the defendant had an ample/reasonable opportunity to defend himself/herself against such charges. Likewise, when one thinks of sixteenth century Massachusetts, one of the first things that come to mind is the Salem Witch Trials.
11 Pages(2750 words)Research Paper
Developments in the 19th Century that Drove the Shifts in Imperial Policies and Practices of European Empires during New Imperia
This dominance was in the form of economic penetration or complete annexation. There was no region in the world that was not penetrated by explorers, merchants or missionaries from Europe. New Imperialism is understood as the significant shift that occurred in the processes and policies of imperialism, particularly in the late-nineteenth century to early twentieth-century Europe.
8 Pages(2000 words)Research Paper
Physical specifications and categories of color are associated with materials, objects, and light sources based on physical properties of color such as reflection of light, light absorption, or emission spectra. This paper seeks to discuss our perception of color.
5 Pages(1250 words)Research Paper
Spanish and French Baroque
The period between 1600 -1750 is referred to as the Baroque period, which is the period immediately following the Renaissance, marked by great advances in scientific thinking and an energetic infusion of novel elements in the artistic arena. This period came during the Counterreformation, sweeping through Europe in the 17th-century.
6 Pages(1500 words)Research Paper
Vampirism in 17th and 18th Century in French Literature
Vampirism in 17th and 18th Century in French Literature The concept of vampirism has become extremely synonymous with the people as it continues to infuse the popular culture. Folkloric and mythological records described vampiric entities as bestial creatures, whose subsistence largely depended upon sucking the life force (blood) out of living beings.
5 Pages(1250 words)Book Report/Review
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Let us find you another Research Paper on topic Analyze color developments in 17th-century Flemish and French tapestry, focusing on Rubens, Jacob Jordaens, Simon Vouet and Mich for FREE!
logo footer
Contact us:
Contact Us Now
FREE Mobile Apps:
  • StudentShare App Store
  • StudentShare Google play
  • About StudentShare
  • Testimonials
  • FAQ
  • Blog
  • Free Essays
  • New Essays
  • Essays
  • Miscellaneous
  • The Newest Essay Topics
  • Index samples by all dates
Join us:
Contact Us