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In 1763, Goya was awarded a prize in the Academy of San Fernado in Madrid. He did not win, but he met an artist by the name Francisco Bayeu. Bayeu influenced Goya’s formation, and participated in Fresco painting in the Church of Virgin Villa in Zaragoza (Connell 23). His career in painting, drawing, and engravings reflected much historically made upheavals and much influenced much the 19th to 20th century painters. The family moved to a place known as Saragossa, and here his father worked as a gilder.
During his childhood stage, a person influenced him by the name Luzan who was just a local painter. In 1770, he went to Italy for his studies on art. He later returned to Saragossa in the year 1771 where he painted frescoes for the local Cathedral. The work, which he did at the Cathedral, was a decorative rococo tradition, which established much of Goya’s artistic reputation. In the year 1773, Francisco Goya married a woman by the name Josefa Bayeu, a sister of Saragossa artist by the name Francisco Bayeu.
The couple had many children, but only one son by the name Xavier who managed to survive in to adult hood (Carr-Gomm 9). Francisco was a talented Spanish painter, printmaker and termed as one of the old masters in the painting industry. Francisco De Goya started his career at the age of about fourteen years of age, and his talent and ability quickly recognized. He tried his first luck by submitting some entries to a place referred as the Royal Academy of fine arts in the year 1773 and rejected in 1774.
He then decided to leave his native country, left to Rome in the year 1771 and his talent recognized and managed to win a second place in the painting competition, and secured himself an employment opportunity in designing tapestries at the Royal Tapestries Factory. Here, he managed to complete 42 patterns, used in covering the walls of the newly built palaces around Madrid making him an immediate royal audience. In 1780 to 1782, he befriended the Prince of Spain where they spend two summers together with his family (Connell 27).
He used this chance to show the prince his paintings and portraits hence expanding his own circle of royal patrons. An occasion was set to prove his own ability being give a salaried position to work as a court painter in 1786 and 1787 respectively; officially made the first court painter where he had a chance to paint for the noble family. He managed to be getting the chance to paint for the King’s family and the Spanish nobility at large. From the year, 1775 to 1792 Goya made several designs for the Royal Tapestry in Madrid.
Francisco de Goya painted sixty-three cartoons for two palaces respectively. The illness affected his whole career as a painter hence withdrawn introspectively. He started painting some paints that were of low quality in his house at Quintal del Sordo. His earlier themes seen as merry festival changed abruptly to those of cartoons and depictions of war and corpses showing clearly that those moods mixed up (Carr-Gomm 11). His legacy inspired several operas, a piano suite, and a number of featured films.
His masterpieces in the field of painting include “The Naked Maja” and the “Clothed Maja”. He also painted other charming portraits like “Senora Sabasa Garcia”. Francisco Goya portrayed the beginning of the 19th century realism. In the year, 1799 Goya published the “Caprichos” which was a combination of etchings satirizing human behavior and
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