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Rewriting Response Introduction The of gender and racial stereotypes in comics is interesting and a field Ihave given no attention to exploring before. This fact overwhelms me now that I now have the opportunity to learn. Jack Glascock and Catherine Preston-Schreck whereby they interrogated comics from four local dailies in an upper Midwest state have carried out a month- long trial. I was thrilled by their deduction about the increasing number of female comic book writers: it is not surprising that, as women have risen in the ranks of editors and producers, women’s characterizations have fared better (425).
It would be more logical that as women have a bigger say in the content of comic strips there would be an incline in positive representation of female characters. Because I do not read comic books frequently, I found Scott McClouds’ comic strip somewhat difficult to comprehend, more often getting lost in the design. However, his pursuit for modification of genres in comic book, to diverge from the conventional male superhero/damsel in distress story flow that encompasses various gender labels.
I settle with McCloud on the control of comic books, and the effect they can have on the person who read, similarly as we are influenced by print and mass media. Hence, the significance of the need for comic books authors to streamline gender disparities in comics and use their control to change the gender labels. According to As Glascock and Preston-Schreck findings, despite noticeable progress has manifested in the inclusion of women and girls in print media comics in the recent 20 years, many predetermined labels in day to day comics in recent paper remain benchmarks in current papers(428).
Underrepresentation women is not limited only to comic books but also the media as well, if this continues the thinking of people our society will remain conventional and will hamper drive towards gender equality. I disagree with the part McCloud’s comic when he wrote that in certain circumstances, the fight for gender balance and representation of minority seem at balances with genre issues. The preceding two reasons for representation of the world as it is through a body of work, yet the later seems bent toward our concern to diverge form it (124).
My view of extending genres does not mean deterrence from reality; rather a paradigm of focus from male dominated storylines to more gender- balance plots, and holistic inclusion of women. My opinion is that the three goals are intertwined and with a more varied genres it is possible to instill gender balance and representation of minority willingly.
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