Anzaldua and Kingston’s feminist arguments against patriarchy
Broadly, feminism marks a life long journey associated with struggles and endurance to fight for women's rights in various social paradigms. Anzaldua and Kingston examine the topic of feminism in the context evolving in the “Borderland: La Frontera: The New Mestiza” and “Women warrior: China Men” and ending to occupy a nerve at the center of her cultural border and post colonial dialogue.
“White Tigers” is one of the vividly drawn up chapters in the “woman warrior” that brings to life the feel of a woman warrior in the context of male dominated society. Kingston draws her inspiration from a traditional myth depicting a woman’s fight in a largely dominated male society. The story of Fa Mu Lan seeks to challenge traditional Chinese customs regarding the place and role of women in Chinese society. Kingston creates a woman who goes beyond the traditional cultural limitations who can take up traditional male roles. By depicting Fa Mu Lan to tie up her hair up and pretending that she is a man, Kingston creates a woman who can take up male roles and even confront her enemies, roles that are perceived to be masculine. The feminism that Kingston promotes is a complex one, able to balance the male roles and the female traditional duties. She does not only take up male roles but also a female resistance regarding partriarchial society. She can give birth and take life. These dual powers enable her to take up her roles as a mother and