Main Character Analysis - The Yellow Wallpaper The central character of the story “The Yellow Wallpaper” is a wife and above all a woman who seeks to break the subjugation and patriarchal domination imposed on her daily life by her husband. She finally manages to tear off the wallpaper which represents the veil and the facade she wais forced to pull over her talents…
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THE CENTRAL CHARACTER OF THE STORY REPRESENTS AN ‘OUTSIDER’ WHO DOES NOT WANT TO CONFORM TO THE TRADITIONAL NORMS AND HENCE FREES HER SOUL FROM THE PRETENSE OF THE CONVENTIONAL WIFE WHO ABIDES BY HER HUSBAND’S DECISIONS WITHOUT INDIVIDUAL JUDGMENT. Women have attempted to get rid of the conventional definitions of their roles and the ideology forced upon them, thus seeking for a redefinition of Womanhood. Charlotte Perkins Gilman illustrated the struggle of the female character of the story to overcome the patriarchal constraints in order to be able to cultivate her writing talents. Here she talks about the dominating care of her husband as she says, “He is very careful and loving, and hardly lets me stir without special direction… There comes John, and I must put this away, --he hates to have me write a word. We have been here two weeks, and I haven't felt like writing before, since that first day. I am sitting by the window now, up in this atrocious nursery, and there is nothing to hinder my writing as much as I please, save lack of strength” (Gilman, 1891, 2) Gilman also points out the lack of cooperation from the female counterparts which have helped the male reinforce their dominance. She has mentioned the case of the sister of the woman’s husband in this regard. ...
From the fact that John would not encourage her writing let alone appreciate them, she gradually suffered from low-self esteem. The following lines express her feelings, “But these nervous troubles are dreadfully depressing. John does not know how much I really suffer. He knows there is no REASON to suffer, and that satisfies him.” (Gilman, 1891, 3) The work represents the Cult of Womanhood, which ties up the women folk to the ambience of the home and family. Here the woman has been confined to the defined parameters that have been set by men. Constant domination negatively affects her creativity, as she has to put in the extra effort in order to overcome the mental set back and arouse the self-encouragement within her. The character Gilman creates in her story is an inspiration to all the women who have confined themselves within the shackles of dominance. She depicts the challenges thrown towards patriarchal ideologies and how women could move beyond the conventional barrier of ideology imposed upon them. She cites a reflection of this situation as she describes the changes in the wallpaper, saying, “There are things in that paper that nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous.” (Gilman, 1891, 6) she wonders whether all women would be able to walk out of these artificial misleading designs created deftly by men – “I wonder if they all come out of that wall-paper as I did?” (Gilman, 1891, 12) The central character of the story ‘The Yellow Wallpaper’ therefore represents the ‘outsider’ to the set norms of the society
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The story was a first of its kind that led to serious criticism from one lot, while extensive praise from another. The idea gave a whole new meaning to how women with mental illnesses were dealt with and treated and paved the way for a modern approach towards mental disorders.
The title is very important in the context of the story. The author’s use of this particular title portrays the great talent and creative skills that she possesses and her amazing ability to visualize things in an abstract manner. The title of the story, The Yellow Wallpaper, is well suited to the ideas expressed by the author.
The analysis of the theme of imprisonment in the Yellow Wallpaper proves that the author portrays prison imagery in the text to project the narrator’s feelings of being imprisoned and to attract the readers’ attention towards the problems faced by women under patriarchal power.
She is a newlywed in a summer vacation with her doctor husband. The doctor decides to put her to bed rest in order to heal from the condition. The room, in the upstairs of the three-week summer vacation apartment has yellow wallpaper. Having nothing else to associates to, the woman closely relates, though in a lunatic way, to the yellow wallpaper.
This short story is full of symbolism which forces readers to confront with and think over events depicted in the short story.In this story, "the yellow wallpaper" is both the surface and symbol. As the surface, it represents lunatic asylum where the main character is put.
Poe in “William Wilson” uses the doppelganger character to explain the narrator’s mind. Gillman in “the yellow wallpaper” uses the same technique but in the form of an imaginary woman on a wallpaper. Hoffman, on the other hand, uses “the sandman to trouble the reader’s mind in trying to understand the protagonist. This essay gives a comparative analysis of the three stories by focusing on the theme of identity and symbolism used.
She is taken care of by her grotesquely self assured physician husband with an obligatory break treatment. Her ill health turns into full blown madness due to the fact that she is isolated and restricted from any kind of activities. This narrative founded on individual experience, pivots on Gilman’s certainty whereby without an outlet for their extraordinary talents, skills and knowledge, ladies are doomed to sickness and hopelessness.
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