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"No experience," asserts Bradley in a phrase that Eliot states, "can lie open to inspections from outside" (Rampal, 203). Prufrocks dream is incommunicable, and whatsoever he speaks to the lady is answered by, "That is not what I meant at all. That is not it, at all" (CP, 6). The lady is also trapped in her own domain, and the two domains can never, alike soap bubbles, turn into one. Each domain is impassable to the other.
If other consciousnesses occur only as opaque matters for Prufrock, he possess an equally unhappy relativity to space and time. One of the poem puzzles is the question of whether Prufrock leaves his room ever. It seems that he does not, hence infirm is his determination, so prepared "for a hundred indecisions, And for hundred visions and revisions, Before the taking of a toast and tea" (CP, 4). In another notion Prufrock would be incapable of going anywhere, no matter how hard he tried.
However far the author goes, he remains caged in his own individual space, and all he is experiencing is imaginary. It appears to be some opinion of this which makes him stay in his room, gratified to imagine himself walking through the streets, climbing the ladys stairs, and saying to the lady "all like Lazarus from the dead”. There remains no resurrection from death which has unfastened him, and this is an implication of the Dante epigraph.
But time, just like space, has only subjective existence for Prufrock. Consequently, future, present, and past are equally immediate, and the author is paralyzed. As a Bradleys finite centers asserts, he "is not in time," hence "contains [his] own past and future" (Rampal, 205). Memories, ironic reverberations of earlier poetry, current sensations, anticipations of what the author might do in future ("I grow old . . . I grow old . . . I shall wear my trousers bottoms rolled" (Rampal, 71) - which are equally present.
Like the women
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Thus, the poem stresses on the downfall of human intellect as the primary cause of man’s inability to understand the true meaning of life. It is the goal of this essay to explore the main theme discussed by examining the character of Alfred Prufrock and how he views himself, other people, and human life in general.
Nevertheless, the example of Prufrock is not only that of a man who simply lacks love and who shows it in his negative attitude towards things – Prufrock’s story is also that of a man who needs care and sympathy. The main character, Prufrock, experiences loneliness in various instances in his life and this is most likely attributed to the lack of love for himself.
The poem consists of a dramatic monologue by the central character that is J. Alfred Prufrock, trying to come to terms with the social setup in which he is placed. In the poem T.S. Eliot presents Prufrock as an anti-hero who is timid, middle aged, unsure, indecisive and confused.
It is maybe because of his mixture of cultures, seeing how they were slightly different from the United States to the United Kingdom, that he put so much attention on symbolism in his work. “Eliot is known for his critical and theoretical writing, particularly for his advocacy of the ‘objective correlative’, the notion that art should not be a personal expression, but should work through objective universal symbols” (“T.S. Eliot”, 2006).
Alfred Prufrock is given the impression that they are intimately involved in the workings of the main character’s mind. As Prufrock thinks through his monotonous life, he reveals his own insecurities and fears to be the influential factor involved in
However, Prufrock is afraid to make advances because of the perceptions he assumes others have of his inadequacies. In his opinion, he “should have been a pair of ragged claws / Scuttling across the floors of silent seas.” He despises himself to the
The devices confirm that Eliot is more concerned with something that is larger than a man’s obsession with a woman.
The poem covers the idea of hell through the Dante’s Inferno epigraph. The allusion from Dante’s work
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