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The production year for this film is 2011 and it deals with the phenomenon of the Toynbee tiles. This film follows three Tile investigators: Justin Duerr, Steven Weinik, and…
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Rhetoric film analysis Resurrect Dead: The Mystery of the Toynbee Tiles is an independent documentary film directed by Jon Foy. The production year for this film is 2011 and it deals with the phenomenon of the Toynbee tiles. This film follows three Tile investigators: Justin Duerr, Steven Weinik, and Colin Smith. They have noticed the appearance of hundreds of mysterious tiled messages about resurrecting the dead in various city streets in America and they join forces and set out on a mission of unraveling this mystery. The mystery unfolds as they start their investigation with a handful of scanty clues, which leads them to strange places. This essay is a rhetorical review of the film “Resurrect Dead: The Mystery of the Toynbee Tiles”.
Movie producer Jon Foy creates the movie, Resurrect Dead: The Mystery of the Toynbee Tiles with the intention of finding out the person responsible with placing tiled messages of resurrecting the dead in various streets of U.S and South America. These Toynbee tiles are hundreds of roughly lettered tiles fixed using tar to pavements and sidewalks in numerous cities in U.S.A and in three South American cities. Toynbee tiles appearance might be in the year 1983 and they seem to bear the same message ‘TOYNBEE IDEA, IN MOVIE 2001, RESURRECT DEAD, PLANET JUPITER. In this idiosyncratic and obstinate documentary, Jon Foy intends to find out the person responsible for creating and placing these Toynbee tiles at the various places they have been spotted.
The film tries to achieve its purpose by employing the characters of three young men obsessed with the urge of finding out the artist behind the Toynbee tiles. The three characters go through various strange experiences in their mission. They encountered various peculiar places, among them addresses in south Philadelphia, a convention of ham radio operators and a passage in an old Philadelphia Inquirer. At one instance, Duerr walks out of a Philadelphia deli at around and happens to find a new tile fixed at that place a few minutes ago. He goes around the area shouting, “Toynbee Idea! I agree!” (Resurrect Dead), but he are unlucky and cannot spot any the person who fixed the tile. They succeed in finding one person who they suspect is responsible with placing these tiles. The suspect’s neighbor confirms indeed that he is the person responsible with placing the tiles.
The film is generally interesting with various scenes succeeding in creating suspense as the trio track down the tile progenitor. The use of narratives in this film is however displeasing for instance, It is revealed that as a child, Duerr was a victim of social exclusion. This serves in explaining his unusual personality. Also revealed at this point, are his rowdy sketch works as a proof of his interest in the Toynbee tiles. These revelations however come after the audience has adapted to Duerr’s character, making it look like an intention of facilitating a low culmination of despair. Jon Foy succeeds in recollecting the images of the film together. He reenacts scenes, graphics, and the numerous shots of the tiles in such a way that the audience gets entertained and still gains knowledge regarding the mysterious Toynbee tiles.
The film Resurrect Dead: The Mystery of the Toynbee Tiles is a great modern documentary that serves two purposes, informing and entertaining. The interesting scenes in the search for the tile progenitor create enough suspense to make it a good film.
Work Cited
Resurrect Dead: The Mystery of the Toynbee Tiles. Dir. Jon Foy. Perf. Justin Duerr. Argot Pictures, 2011. Film. Read More
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