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Osborne took the challenge and engineered a twenty three foot, nine thousand pound bull. It became an instant landmark. The bull, like many other advertisements around the Spanish country side, where part of an intricate cultural display that attracted foreigners and kept the country’s identity. It was categorized among other cultural phenomenon such as Escorial, the Acueduct, Giralde, and the flamenco show all of which are major tourist attractions in Spain (Garry, 28). Today there are over 90 Osborne bulls around the country serving as land marks and tourist attraction all over the country.
During legislative crack down on the relevance of the Osborne bull since it stopped being associated with the distillery anymore, it was revered as not only an advertisement or a tourist attraction, but also a true representation of the Spaniards’ culture of bull fighting. The culture is so wide spread around the country and so deeply embedded within the society that go as far as embossing on clothing, mugs among other decorative objects. Regional mascots can be found around the country giving the sport the recognition and passion it requires.
Nevertheless, bullfighting has not been accepted with open arms because it can be seen as animal cruelty since the bull is “tortured” before it is killed. Animal activists all over the world have come up with reason after reason have the practice banned in Spain. In Catalonia, for instance, they consider this behaviour uncivilized and are more often than not protesting against it at their Spanish Embassy. They posse an ethical challenge insisting that no human with their limit of morality would go through the process of bull fight and come out unscathed (Bradley, 34).
Before the bull is put into the ring or corrida it has to undergo cruel three steps, also known as tercio, to ready it for the oncoming spectacle. In the first step,
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