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Some of the prizes he has won include the T.S Elliot Prize, Geoffrey Faber Memorial Prize, the Lannan Literary Award for Poetry and most notably the Nobel Prize in Literature, just to name a few. Seamus Heaney was born seventy three years ago (in 1939) in Castledawson, County Derry in Northern Ireland. He was the first born in large family, having eight siblings to show for it (McCarthy 9). His father, Patrick Heaney was a cattle trader in Castledawson and most of young Seamus’ childhood was spent in the rural setting. This environment of the countryside, fuelled with other factors would prove to be important, forming an integral part of Seamus’ literary works, especially his poetry.
Seamus Heaney attended a local primary school in his native town. At the tender age of twelve years, he won a scholarship to attend St Columb’s College. This was a catholic boarding school, also found within the environs of his native town. During his time at St. Columb’s, he gained further skills that would later help him map out his career. He learnt Latin and Irish languages, a fact that was crucial in his turning out to be a translator. In 1953, his family moved out from his rural County of Derry. However, his thoughts, feelings and aspirations were still strongly entangled with his rural homeland. After St. Columb’s College, the other education pot that Seamus drank from was Queen’s University in Belfast. He graduated with a degree in Literature in 1961 from Queen’s. While there, he studied Anglo-Saxon, another contributor to his translation skills. He was to later on, (1966-1972) come back to lecture at his former school. His writing career officially began while he was at Queens. His first works that earned him recognition came about in the 1960s (Buttel, 12). It is at about the same time when he met his wife, Marie Devlin. Marie
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After being influenced by 5th century BC Greek tragedy Antigone written by Sophocles, Heaney came up with his own interpretation titled, The Burial at Thebes, subtly reflecting the Iraq war and the authoritarian decisions of former US President, George W Bush.
As it is also mentioned in the poem, "But I've no spade to follow men like them between my finger and my thumb the squat pen rests I'll dig with it”. Hence the poet uses the word Digging as a metaphor that symbolizes the overall struggle of human beings in their respective lives to achieve their individual goals.
This essay compares two poems, Philip Larkin’s “Church Going” from 1945 and Seamus Heaney’s “The Sharping Stone” from the end of the twentieth century, along with two short stories, Ray Bradbury’s “The Veldt” from 1950 and Jhumpa Lahiri’s “Unaccustomed Earth” from 2008 to demonstrate that while many structural elements of literature have remained the same, the focus and sensation of literature has changed dramatically in the past sixty-five years.
Social awareness (sometimes also referred to as social consciousness) is the collective consciousness shared by members of a society (which includes the author). To be socially aware is to be cognizant of ongoing issues and challenges facing different groups in a society.
The poet talks of the pen writing, like holding a gun, which is a clear indication of scenes of violence. The use of assonance “the pen rests” and “snug as a gun” appears to rhyme, as well (Heaney Line 2). In Digging, there is an extensive amount of entrapment imagery from the beginning to the end.
"The Writer" is a poem written from the perspective of a writer parent watching his daughter aspiring to become a writer herself. "Digging" describes a writer who watches his father doing their traditional family job of farming. Though both the poems deal with father sibling relationship, Richard Wilbur's "The Writer" is much more satisfying and interesting to read.
This is worthy of mention because Heaney often writes with farming as a backdrop or as the main subject of his poems. Although Heaney moved away from the family farm when he was young the farm never left him and it is quite obvious that his time on the farm had a big impact on him.
be best to examine the writers individually to show how they deal with the idea of communicating and coming to terms with the idea of communication having its own limits.
The magnum opus, Waiting for Godot is a tragicomedy in two acts, written by Samuel Beckett; it was
e poem depicts the unexpected coming of age for a boy, who now has to help his family deal with the sudden death of the middle child in the family and the way that he is affected and yet detached from the death of his brother. In effect, the poem is all about the wonders of
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