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He will be with us in Houston, for two days. The conference venue is at Richmond.”On the conclusion of the first day of the seminar, at my insistence, Paul uncle gives a brief introduction to his art. “The sponsoring UNO agency has made all the arrangements for my boarding and lodging. I dislike the ambiance of staying in a 5 Star hotel. I eat simple home food. I live with my three children and we have an ancestral house in a two-acre plot in the suburbs of Port-au-Prince.”“My children are married, and we live as a joint family.
My two sons are not interested in this vocation and the eldest one takes a limited interest in this art which is full of intricacies.” But in general, Paul gives lots of information on the copper-art and the present condition of art in Haiti. “Many traditional art-forms of Haiti are dying a slow death with no appreciation of genuine art and lack-luster approach of the Government authorities. Materialistic civilization has impacted life in all the segments of life. People have lost love for art.
By pursuing this as art as a vocation, it is difficult to eke out a living….my children are right perhaps to pursue alternative careers, where there is money. My second son has already migrated to Australia. ”I visit him for 5 years. His house is on a hillock in the distant suburbs of Haiti. He has problems in recognizing me but with the mention of “Houston,” he embraces me. We speak a lot about Haiti art and his copper plates and pitchers in particular. He shows some of his centuries-old family collections of pitchers.
When I tell him that “Traditional Art of Haiti” is one of the subjects that I teach at the college level, he is greatly fascinated.
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